The portico was commenced in 1736 from the designs of Robert de Cotte. It is in no wise beautiful; but it is celebrated as having been the scene of the terrible 13 Vendémiaire An IV. (5 October, 1795). In the "_cul-de-sac Dauphin_" against the church walls the "young bronze Artillery Officer" set his guns. "The firing was with sharp and sharpest shot; to all men it was plain that there was no sport."[119] In a couple of hours it was all over; insurrection quelled; and the "Whiff of Grapeshot" proved so successful that it became the active power in subsequent doings of the dynasty of the "Man of bronze." S. Roch is a vast edifice mainly conspicuous by its ugliness; but it contains much furniture that is worth noting. Over the altar is a fine crucifix by Michel Anguier, formerly in the Sorbonne. The group of the Nativity brought from Val de Grâce is by François Anguier. Saint-Jean-en-Grève has contributed the Baptism of Our Lord, by Lemoine; the Latin Fathers were sculptured for the Dome of the Invalides; the figure of S. Roch on the right of the choir is by one of the Coustou brothers; a dying Christ by Falconet. The bust of Lenôtre, by Coyzevox, was part of a monument; so was the statue of Cardinal Dubois by Guillaume Coustou. Mignard was buried here and has a memorial bust by Desjardins. Medallions also abound: the Maréchal d'Asfeld, the Duc de Lesdignières, the Comte d'Harcourt, and the Duc de Cérqui; also a monument to Maupertius, l'abbé de l'Epée; and an epitaph to Pierre Corneille. Madame de Feuquières, in white marble, was treated after the manner of the kings and queens at S. Denis. Lemoine made her kneeling at her father, Mignard's feet; some one improved upon this, and turned her into a Madeleine at the foot of the cross. [Illustration: A SISTER OF SAINT-ROCH.]