The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
"par-dessous le chevet, à l'endroit où estoit une ancienne chapelle de
Saint-Démètre, un petit corridor de la largeur de trois pieds sur sept
de haut. Les ouvriers voûtoient à mesure qu'ils avançoient; et dans le
poursuite de leur ouvrage, ils découvrirent quelques tombeaux dont on ne
reconnut que celui de l'abbé Antoine de La Haye, par une inscription
qu'on y trouva. Enfin, après avoir poussé environ sept toises et demie,
les ouvriers arrivèrent à l'ancien caveau; de sorte qu'il a été aisé d'y
joindre, par ce corridor de communication, un caveau spécieux qui occupe
aujourd'huy, dessous le chevet, l'ancienne crypte où estoient autrefois
les corps des saints martyrs. La place est de neuf toises de long sur
environ deux toises et demi dans sa plus grande largeur." The new vault
was consecrated the 31st August, 1683. This accounts for the apparent
want of an entrance to the centre of the crypt; as all visitors to the
church are aware, you look through little apertures to the place where a
few post-revolution burials have taken place. I commend all these
particulars, which exemplify the horrors of burial above ground, with
the rifling of tombs and coffins perpetrated by the officers of the
Convention, to the opposers of cremation. Had all these poor royalties
been converted into ashes, no such doings could have taken place. The
entrance to the Bourbon vaults still exists, close to the altar of S.
Maurice, to the right of the High Altar looking eastwards; but visitors
enter by some steps farther east, by the side of the ascent to the apse.
It is a miserably gloomy hole, with a few coffins upon trestles,
shedding their violet coverings. Can any sort of burial equal in horror
this of open vaults?
The statues of the early kings were erected by S. Louis. Ordered by him
as commemorative effigies of his ancestors, it does not seem to have
been within the wit of the 13th century sculptors to vary the
physiognomy of the early sovereigns. Thus there is a strong likeness
between Charles Martel[37] and Pépin, and Louis and Carloman. There is a
curious divergence in the opinions passed upon Louis III. The chronicle
of S. Denis calls him a "_homs plains de toutes ordures et toutes
vanitez_;" whereas the annals of Metz say, "_Tous les peuples des Gaules
pleurèrent sa mort avec une extrème douleur. Il fut en effet homme de
rare mérite, et défendit courageusement et virilement contre les
incursions des payens le royaume qui lui était soumis._" So we see that
it is not only the 19th century which vaunts and cries down a man,
according as he belongs to the political sheep or the goats.
[Illustration]
Carloman, at his eighteen years, has the appearance of a man of forty,
and many years older than his brother. The statue of Charlemagne's
brother Carloman has had a queer history. It was marched to the
Petits-Augustins with the rest, and there christened Charles le Chauve,
but when sent back to S. Denis it was rebaptised Henri I.
Public-domain text, read in full here on John Shaqi.
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