The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
The pulpit was designed by Laurent de la Hire, the painter, and
sculptured by Claude Lestocard. It is a mass of rich carving. A huge
Samson supports the lower part, while upon the canopy are little Angels
of the winged-Cupid tribe, and at the summit a draped Angel with a
trumpet. Samson is sitting upon the lion he tamed with the jawbone of an
ass, and holds the strange weapon in his hand. Sauval remarked that _il
la porte bien_ (the pulpit), and certainly he appears to be doing so
without much effort. The medallions upon the staircase and round the
pulpit represent Evangelists and Doctors, among them Augustin and
Jerome, and scenes from the life of S. Stephen, in which he figures as a
preacher. The Cardinal Virtues go hand in hand in a becoming fashion
with the Theological Ladies: Prudence bearing her mirror, which reflects
the wisdom of the serpent hard by; Justice has her sword; Faith a heart
as well as her cross; Hope leans upon her anchor; Temperance pours out
water from an _amphora_; Courage holds a dangerous weapon of the mallet
order; Charity is surrounded by the most charming of children. All these
statuettes are exquisitely carved. Behind the preacher the Word of God,
bearing the world, blesses those who preach the Gospel in His name; upon
His head the Holy Spirit spreads His wings. Upon the edge of the canopy
little Angels are playing with the crowns destined for the elect; and at
the summit is a larger Angel bearing a trumpet to awake them from their
long sleep. The organ is also a mass of fine carving: S. Stephen stoned;
S. Geneviève and her sheep; the Elders of the Apocalypse; the "Jewish
ladies of the Bible," as a German kindly interpreted, and the Passage of
the Red Sea; above all, our Blessed Lord ascending to Heaven.
When the Abbey of Port-Royal was destroyed in 1710, the body of Racine
was transferred to S. Étienne and placed in the crypt of the Lady Chapel
by the side of Pascal; and in 1808 a Latin epitaph, composed by Boileau,
which was discovered in the pavement of the church of Magny-les-Hameaux,
was also transferred. Ten years later, on April 21st, 1818, a great
function was held in honour of the poet and the author of those
much-loved _Pensées_; the Academy sent a deputation, and one of their
members, the Abbé Sicard, officiated.
EPITAPH ON PASCAL.
PRO COLUMNA SUPERIORI,
SUB TUMULO MARMOREO.
Public-domain text, read in full here on John Shaqi.
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