The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
The building, which blocks up a part of the chapel of Our Lady, was
another excrescence of the reign of Louis XIV., and the work of Moreaux;
it is used as a treasury and vestry. Above the chapel of the Virgin is a
belfry erected in the 17th century, surmounted by a cross and the ship
of the city of Paris. The bell weighs 2,500 kilogrammes. It was
preserved by the Revolutionists in consequence of its usefulness; but a
shell from Montmartre on the 25th of May, 1871 (during the Commune), set
fire to the steeple. The blaze was soon extinguished, but not before it
had done a considerable amount of harm. The north door is of later date,
1640. It has two turrets, in one of which is a staircase leading up to
the presbytery. S. Eustache, costumed as a Roman warrior, guards the
doorway upon the central pillar; while S. Denis bearing a palm, and S.
Geneviève with a lamb at her feet, keep watch upon each side. The socles
are ornamented with the Cardinal Virtues of Prudence, Courage, Justice,
and Temperance, which were discovered some years ago, hidden behind a
shop for the sale of religious books and images which obstructed the
entrance to the passage. The capital of one of the pilasters upon this
side of the church is well worth attentive study. In the midst of some
foliage is a child bearing a basket of fruit, and on each side are two
young and beautiful Genii forming a sort of buttress to the abacus.
On entering the church the effect is most impressive, and upon any great
festival, or during the evening services of the Adoration Perpétuelle,
when the whole east end is ablaze with candles, few churches can compare
with it in grandeur. Nowhere else is to be found such a curious
combination of styles, with a more harmonious result. The architect's
ambition must have been to prove that two styles so opposed to each
other in every respect were capable of being united with the best
effect. The Renaissance of S. Eustache seems to give new life to the
dying Gothic, by marrying its pilasters, its columns, and its Greek
pediments to the pointed groining and arches.
Public-domain text, read in full here on John Shaqi.
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