The circuit rider : $b A tale of the heroic ageEggleston, Edward
History
The circuit rider : $b A tale of the heroic age
Eggleston, Edward
Christian fiction; Circuit riders -- Fiction; Social problems -- Fiction; West (U.S.) -- History -- 19th century -- Fiction
Patty's whole education tended to foster her pride, and in Patty's
circumstances pride was conservative; it saved her from possible
assimilation with the vulgarity about her. She was a lily among
hollyhocks. Her mother had come of an "old family"--in truth, of two
or three old families. All of them had considered that attachment to
the Established Church was part and parcel of their gentility, and
most of them had been staunch Tories in the Revolution. Patty had
inherited from her mother refinement, pride, and a certain lofty
inflexibility of disposition. In this congenial soil Mrs. Lumsden
had planted traditional prejudices. Patty read her Prayer-book, and
wished that she might once attend the stately Episcopal service; she
disliked the lowness of all the sects: the sing-song of the Baptist
preacher and the rant of the Methodist itinerant were equally
distasteful. She had never seen a clergyman in robes, but she tried,
from her mother's descriptions, to form a mental picture of the
long-drawn dignity of the service in an Old Virginia country church.
Patty was imaginative, like most girls of her age; but her ideals
were ruled by the pride in which she had been cradled.
For the Methodists she entertained a peculiar aversion. Methodism
was new, and, like everything new, lacked traditions,
picturesqueness, mustiness, and all the other essentials of gentility
in religious matters. The converts were rude, vulgar, and poor; the
preachers were illiterate, and often rough in voice and speech; they
made war on dancing and jewelry, and dancing and jewelry appertained
to good-breeding. Ever since her father had been taken with that
strange disorder called "the jerks," she had hated the Methodists
worse than ever. They had made a direct attack on her pride.
Public-domain text, read in full here on John Shaqi.
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