Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
Liddy was in my dressing-room, suspiciously red-eyed, and trying to put
a right sleeve in a left armhole of a new waist for me. I was too much
shaken to scold.
“What name did that woman in the kitchen give?” she demanded, viciously
ripping out the offending sleeve.
“Bliss. Mattie Bliss,” I replied.
“Bliss. M. B. Well, that’s not what she has on he suitcase. It is
marked N. F. C.”
The new cook and her initials troubled me not at all. I put on my
bonnet and sent for what the Casanova liveryman called a “stylish
turnout.” Having once made up my mind to a course of action, I am not
one to turn back. Warner drove me; he was plainly disgusted, and he
steered the livery horse as he would the Dragon Fly, feeling uneasily
with his left foot for the clutch, and working his right elbow at an
imaginary horn every time a dog got in the way.
Warner had something on his mind, and after we had turned into the
road, he voiced it.
“Miss Innes,” he said. “I overheard a part of a conversation yesterday
that I didn’t understand. It wasn’t my business to understand it, for
that matter. But I’ve been thinking all day that I’d better tell you.
Yesterday afternoon, while you and Miss Gertrude were out driving, I
had got the car in some sort of shape again after the fire, and I went
to the library to call Mr. Innes to see it. I went into the
living-room, where Miss Liddy said he was, and half-way across to the
library I heard him talking to some one. He seemed to be walking up and
down, and he was in a rage, I can tell you.”
“What did he say?”
“The first thing I heard was—excuse me, Miss Innes, but it’s what he
said, ‘The damned rascal,’ he said, ‘I’ll see him in’—well, in hell was
what he said, ‘in hell first.’ Then somebody else spoke up; it was a
woman. She said, ‘I warned them, but they thought I would be afraid.’”
“A woman! Did you wait to see who it was?”
“I wasn’t spying, Miss Innes,” Warner said with dignity. “But the next
thing caught my attention. She said, ‘I knew there was something wrong
from the start. A man isn’t well one day, and dead the next, without
some reason.’ I thought she was speaking of Thomas.”
“And you don’t know who it was!” I exclaimed. “Warner, you had the key
to this whole occurrence in your hands, and did not use it!”
However, there was nothing to be done. I resolved to make inquiry when
I got home, and in the meantime, my present errand absorbed me. This
was nothing less than to see Louise Armstrong, and to attempt to drag
from her what she knew, or suspected, of Halsey’s disappearance. But
here, as in every direction I turned, I was baffled.
A neat maid answered the bell, but she stood squarely in the doorway,
and it was impossible to preserve one’s dignity and pass her.
“Miss Armstrong is very ill, and unable to see any one,” she said. I
did not believe her.
“And Mrs. Armstrong—is she also ill?”
“She is with Miss Louise and can not be disturbed.”
Public-domain text, read in full here on John Shaqi.
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