Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
Walter P. Broadhurst, of the Marine Bank, had produced two hundred
American Traction bonds, which had been placed as security with the
Marine Bank for a loan of one hundred and sixty thousand dollars, made
to Paul Armstrong, just before his California trip. The bonds were a
part of the missing traction bonds from the Traders’ Bank! While this
involved the late president of the wrecked bank, to my mind it by no
means cleared its cashier.
The gardener mentioned by Halsey came out about two o’clock in the
afternoon, and walked up from the station. I was favorably impressed by
him. His references were good—he had been employed by the Brays’ until
they went to Europe, and he looked young and vigorous. He asked for one
assistant, and I was glad enough to get off so easily. He was a
pleasant-faced young fellow, with black hair and blue eyes, and his
name was Alexander Graham. I have been particular about Alex, because,
as I said before, he played an important part later.
That afternoon I had a new insight into the character of the dead
banker. I had my first conversation with Louise. She sent for me, and
against my better judgment I went. There were so many things she could
not be told, in her weakened condition, that I dreaded the interview.
It was much easier than I expected, however, because she asked no
questions.
Gertrude had gone to bed, having been up almost all night, and Halsey
was absent on one of those mysterious absences of his that grew more
and more frequent as time went on, until it culminated in the event of
the night of June the tenth. Liddy was in attendance in the sick-room.
There being little or nothing to do, she seemed to spend her time
smoothing the wrinkles from the counterpane. Louise lay under a field
of virgin white, folded back at an angle of geometrical exactness, and
necessitating a readjustment every time the sick girl turned.
Liddy heard my approach and came out to meet me. She seemed to be in a
perpetual state of goose-flesh, and she had got in the habit of looking
past me when she talked, as if she saw things. It had the effect of
making me look over my shoulder to see what she was staring at, and was
intensely irritating.
“She’s awake,” Liddy said, looking uneasily down the circular
staircase, which was beside me. “She was talkin’ in her sleep something
awful—about dead men and coffins.”
“Liddy,” I said sternly, “did you breathe a word about everything not
being right here?”
Liddy’s gaze had wandered to the door of the chute, now bolted
securely.
“Not a word,” she said, “beyond asking her a question or two, which
there was no harm in. She says there never was a ghost known here.”
I glared at her, speechless, and closing the door into Louise’s
boudoir, to Liddy’s great disappointment, I went on to the bedroom
beyond.
Public-domain text, read in full here on John Shaqi.
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