Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
Liddy came to my room on Sunday morning with a face as long as the
moral law. She laid out my things as usual, but I missed her customary
garrulousness. I was not regaled with the new cook’s extravagance as to
eggs, and she even forbore to mention “that Jamieson,” on whose arrival
she had looked with silent disfavor.
“What’s the matter, Liddy?” I asked at last. “Didn’t you sleep last
night?”
“No, ma’m,” she said stiffly.
“Did you have two cups of coffee at your dinner?” I inquired.
“No, ma’m,” indignantly.
I sat up and almost upset my hot water—I always take a cup of hot water
with a pinch of salt, before I get up. It tones the stomach.
“Liddy Allen,” I said, “stop combing that switch and tell me what is
wrong with you.”
Liddy heaved a sigh.
“Girl and woman,” she said, “I’ve been with you twenty-five years, Miss
Rachel, through good temper and bad—” the idea! and what I have taken
from her in the way of sulks!—“but I guess I can’t stand it any longer.
My trunk’s packed.”
“Who packed it?” I asked, expecting from her tone to be told she had
wakened to find it done by some ghostly hand.
“I did; Miss Rachel, you won’t believe me when I tell you this house is
haunted. Who was it fell down the clothes chute? Who was it scared Miss
Louise almost into her grave?”
“I’m doing my best to find out,” I said. “What in the world are you
driving at?” She drew a long breath.
“There is a hole in the trunk-room wall, dug out since last night. It’s
big enough to put your head in, and the plaster’s all over the place.”
“Nonsense!” I said. “Plaster is always falling.”
But Liddy clenched that.
“Just ask Alex,” she said. “When he put the new cook’s trunk there last
night the wall was as smooth as this. This morning it’s dug out, and
there’s plaster on the cook’s trunk. Miss Rachel, you can get a dozen
detectives and put one on every stair in the house, and you’ll never
catch anything. There’s some things you can’t handcuff.”
Liddy was right. As soon as I could, I went up to the trunk-room, which
was directly over my bedroom. The plan of the upper story of the house
was like that of the second floor, in the main. One end, however, over
the east wing, had been left only roughly finished, the intention
having been to convert it into a ball-room at some future time. The
maids’ rooms, trunk-room, and various store-rooms, including a large
airy linen-room, opened from a long corridor, like that on the second
floor. And in the trunk-room, as Liddy had said, was a fresh break in
the plaster.
Not only in the plaster, but through the lathing, the aperture
extended. I reached into the opening, and three feet away, perhaps, I
could touch the bricks of the partition wall. For some reason, the
architect, in building the house, had left a space there that struck
me, even in the surprise of the discovery, as an excellent place for a
conflagration to gain headway.
Public-domain text, read in full here on John Shaqi.
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