Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
Liddy came to me on Wednesday morning with her black silk apron held up
like a bag, and her eyes big with virtuous wrath. It was the day of
Thomas’ funeral in the village, and Alex and I were in the conservatory
cutting flowers for the old man’s casket. Liddy is never so happy as
when she is making herself wretched, and now her mouth drooped while
her eyes were triumphant.
“I always said there were plenty of things going on here, right under
our noses, that we couldn’t see,” she said, holding out her apron.
“I don’t see with my nose,” I remarked. “What have you got there?”
Liddy pushed aside a half-dozen geranium pots, and in the space thus
cleared she dumped the contents of her apron—a handful of tiny bits of
paper. Alex had stepped back, but I saw him watching her curiously.
“Wait a moment, Liddy,” I said. “You have been going through the
library paper-basket again!”
Liddy was arranging her bits of paper with the skill of long practice
and paid no attention.
“Did it ever occur to you,” I went on, putting my hand over the scraps,
“that when people tear up their correspondence, it is for the express
purpose of keeping it from being read?”
“If they wasn’t ashamed of it they wouldn’t take so much trouble, Miss
Rachel,” Liddy said oracularly. “More than that, with things happening
every day, I consider it my duty. If you don’t read and act on this, I
shall give it to that Jamieson, and I’ll venture he’ll not go back to
the city to-day.”
That decided me. If the scraps had anything to do with the mystery
ordinary conventions had no value. So Liddy arranged the scraps, like
working out one of the puzzle-pictures children play with, and she did
it with much the same eagerness. When it was finished she stepped aside
while I read it.
“Wednesday night, nine o’clock. Bridge,” I real aloud. Then, aware of
Alex’s stare, I turned on Liddy.
“Some one is to play bridge to-night at nine o’clock,” I said. “Is that
your business, or mine?”
Liddy was aggrieved. She was about to reply when I scooped up the
pieces and left the conservatory.
“Now then,” I said, when we got outside, “will you tell me why you
choose to take Alex into your confidence? He’s no fool. Do you suppose
he thinks any one in this house is going to play bridge to-night at
nine o’clock, by appointment! I suppose you have shown it in the
kitchen, and instead of my being able to slip down to the bridge
to-night quietly, and see who is there, the whole household will be
going in a procession.”
Public-domain text, read in full here on John Shaqi.
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