Aroused, encouraged, animated by the wildest hopes, the most extravagant
anticipations, Thomas awaited his father's call with feverish
impatience, and when it came, hastened to respond to it by an immediate
voyage to America. This was some six months previous to the tragedy in
---- Street. On his arrival at the wharf in New York he was met, not by
his brother, as he had every reason to expect, but by a messenger in
whose face evil tidings were apparent before he spoke. Thomas was soon
made acquainted with them. His father, who he now learned was called
Cadwalader (he himself had always been called Adams), was ill, possibly
dying. He must therefore hasten, and, being provided with minute
instructions as to his way, took the train at once for a small village
in northern Pennsylvania.
All that followed was a dream to him. He was hurried through the night,
with the motion of the ship still in his blood, to meet--what? He dared
not think. He swam in a veritable nightmare. Then came a stop, a
hurrying from the train, a halt on a platform reeking with rain (for the
night was stormy), a call from some one to hurry, the sight of a panting
horse steaming under a lamp whose blowing flame he often woke in after
nights to see, a push from a persuasive hand, then a ride over a country
road the darkness of which seemed impenetrable, and, finally, the
startling vision of an open door, with a Meg Merrilies of a woman
standing in it, holding a flaming candle in her hand. The candle went
out while he looked at it, and left only a voice to guide him--a voice
which, in tones shaken by chill or feeling, he could not tell which,
cried eagerly:
"Is that you, laddie? Come awa in. Come awa in. Dinna heed the rain. The
maister's been crying on you a' day. I'm glad you're no ower late."
He got down, followed the voice, and, stumbling up a step or two,
entered a narrow door, which was with difficulty held open behind him,
and which swung to with a loud noise the minute he crossed the
threshold. This or the dreariness of the place in which he found himself
disturbed him greatly. Bare floors, stained walls, meagre doorways, and
a common pine staircase, lighted only by the miserable candle which the
old woman had relit--were these the appointments of the palatial home he
had been led to expect? These the surroundings, this the abode of him
who had exacted such perfection on his part, and to satisfy whose
standard he had devoted years of hourly, daily effort, in every
department of art and science? A sickening revolt seized him, aggravated
by the smiles of the old woman, who dipped and courtesied before him in
senile delight. She may have divined his feelings, for, drawing him
inside, she relieved him of his overcoat, crying all the while, with an
extravagant welcome more repulsive than all the rest:
"O the fine laddie! Wad your puir mither could see you the noo! Bonnie
and clever! No your faither's bairn ava! All mither, laddie, all
mither!"
Public-domain text, read in full here on John Shaqi.
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