The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
To piece these fragments together has been a task more delicate and
arduous than to dig them out of the earth. Messrs. Grenfell and Hunt
succeeded in combining some twenty shreds of papyrus, and thus in
showing the nature of the original manuscript. And the chief product of
their labor and skill was a poem of six stanzas in the form to which
Sappho's name is given, a poem, however, from which two entire lines and
many words were missing.
Then it was that J. M. Edmonds, an eminent Hellenist of Cambridge
University, gave his attention to the matter. He studied the possible
relationship of the words, parsing and analyzing as diligently as any
youth whom only the implacable Homer separates from a strip of parchment
marked with the university's seal and his own name parodied in Latin.
"Anactoria," he saw, was vocative--and that was greatly significant. He
added accents, syllables, words, and finally he supplied--it was pure
guesswork, of course--two entire lines. And the result is undoubtedly a
close approximation of the original lyric, more nearly complete, indeed,
than most of the poems which have made critics call Sappho "the Tenth
Muse."
For Sappho is known only by two brief odes and a few lyric
fragments--"two small brilliants and a handful of star dust," they have
been called. She wrote, it is believed, at least nine books of odes,
together with epithalamia, epigrams, elegies, and monodies.
To account for the disappearance of all this poetry several theories
have been advanced. One, which is largely accepted, is that Sappho's
poems were burned at Byzantium in the year A. D. 380 by command of
Gregory Nazianzen, who desired that his own poems might be studied in
their stead, for the improvement of the morals of his people.
J. M. Edmonds has contributed to an issue of _The Classical Review_ his
amended version of the poem. He gives also the following prose
translation:
The fairest thing in all the world some say is a host of horsemen,
and some a host of foot, and some, again, a navy of ships; but to
me, 'tis my heart's beloved, and 'tis easy to make this understood
by any.
When Helen surveyed much mortal beauty, she chose for the best the
destroyer of all the honor of Troy, and thought not so much either
of child or parent dear, but was led astray by love to bestow her
heart afar; for woman is ever easy to be bent when she thinks
lightly of what is near and dear.
Even so you to-day, my Anactoria, remember not, it seems, when she
is with you one of whom I would rather have the sweet sound of her
footfall and the sight of the brightness of her beaming face than
all the chariots and armored footmen of Lydia.
Know that in this world man cannot have the best; yet to pray for a
share in what was once shared is better than to forget it.
I have roughly rendered the poem into English verse as follows:
Public-domain text, read in full here on John Shaqi.
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