For some reason, it is difficult to think of Chesterton in love. We can readily think of him fighting or praying, but to think of him making love requires an effort of the imagination. Yet he is happily married, and while his love poems are few, they are noble in thought and beautiful in expression. One of the most personal and characteristic of them is that to which he gives the name "Confessional." CONFESSIONAL Now that I kneel at the throne, O Queen, Pity and pardon me. Much have I striven to sing the same, Brother of beast and tree; Yet when the stars catch me alone Never a linnet sings-- And the blood of a man is a bitter voice And cries for foolish things. Not for me be the vaunt of woe; Was not I from a boy Vowed with the helmet and spear and spur To the blood-red banner of joy? A man may sing his psalms to a stone, Pour his blood for a weed, But the tears of a man are a sudden thing, And come not of his creed. Nay, but the earth is kind to me, Though I cried for a star, Leaves and grasses, feather and flower, Cover the foolish scar, Prophets and saints and seraphim Lighten the load with song, And the heart of a man is a heavy load For a man to bear along. Many poets are writing of war these days. But they write of war too self-consciously, they are too sophisticated, too grown-up. They are so busy getting lessons from the war, describing its moral and social significance, that they have nothing to say about the actual facts of battle. But Chesterton's war poems are splendid primitive things, full of the thunder of crashing arms, of courage and of faith. I think that his "Lepanto" is without an equal among the war poems of the century. It begins as follows: LEPANTO