Fantasy fiction; Science fiction; Utopias -- Fiction
My host and the Chinaman were waiting for me in the great, Gothic room,
and we inspected the treasures in some of the glass-fronted shelves. I
was surprised and delighted to find that my future father-in-law had a
real love for, and a considerable knowledge of, books. It was a side of
him I had not seen before. I had not connected him with the arts in any
way, which, when you come to think of it, was rather foolish. Certainly
he had the finest expert advice and help to be found in the whole world
in the building of the City in the Clouds. But I should have remembered
that the initial conception was his own and that many of the details
also came entirely from his brain. Certainly, in his way, Mendoza Morse
was a creative artist.
My own collection of books at Stax, my place in Hertfordshire, is, of
course, well known, and always mentioned when English libraries are
under discussion. But Morse could boast treasures far beyond me. During
the last year or two I had been so busy in working up the _Evening
Special_ that I had quite neglected to follow the book sales, but I
learned now that some of the rarest treasures obtainable had been
quietly bought up on Morse's behalf. He had all the folios, and most of
the quartos, of Shakespeare, a fine edition of Spenser's "Faerie Queene"
with an inscription to Florio, the great Elizabethan scholar; there was
Boswell's own copy of Johnson's "Lives of the Poets," with a ponderous
Latin inscription in the sturdy old doctor's own hand, and many other
treasures as rare, though not perhaps of such popular and general
interest.
Pu-Yi made us some marvelous tea in the Chinese fashion, with a sort of
ritual which was impressive as he moved about the table and waved his
long pale hands. It was of a faint, straw color, with neither sugar,
milk, or lemon, and he assured me that it came from the stores of the
Forbidden City in Pekin. Certainly, it was nasty enough for anything,
and I praised it as I had praised Morse's rose-colored champagne the
night before--but with less sincerity.
I don't know if my friend had a touch of homesickness or not, but he
began to tell us of his home by the waters of the Yang-Tse-Kiang. His
precise and literary English rose and fell in that great room with a
singular charm, and though I don't think Morse listened much, he smoked
a cigar with great good-humor while Pu-Yi expounded his quaint, Eastern
philosophy. We did not refer to the grim scenes of the night before, but
something I said turned the conversation to the funeral customs of
China.
"Indeed, Sir Thomas," said Pu-Yi, "the death of a man of my nation may
be said to be the most important act of his whole life. For then only
can his personal existence be properly considered to begin."
Public-domain text, read in full here on John Shaqi.
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