Fantasy fiction; Science fiction; Utopias -- Fiction
"We are now," he said, "on the first stage--just fifty feet higher than
the golden cross on the top of Saint Paul's. If you will come up this
slant--see! here's the next lift."
I followed him along a steel platform for some twenty or thirty yards,
the wind whistling all around. On looking to the right I saw nothing but
a black void, at the bottom of which, far, far below, was the yellow
glow of Richmond town. On looking to the left I stopped for a moment
and stared, unable to believe my eyes. As I live, there was an immense
lake there, surrounded by rushes that sang and swished in the wind, with
a boat-house, and a little landing-stage!
Then, with a clang of wings and a chorus of shrill quacks, a gaggle of
wild duck got up and sped away into the dark.
"Yes," said Pu-Yi, "that's the lake. There are many variety of water
fowl fed there, who make it their home. On a quiet afternoon, walking
round the margin, or in a canoe, one can feel ten thousand miles away
from London. But that's nothing to what you will see if circumstances
permit."
I have but a dim recollection of the second stage, which was only a
stage in the particular tower we were mounting, and did not extend
between the three as the lower and two upper ones did, forming the
immense plateaus of which the lake was one and the City in the clouds
itself another.
It was when we had slowed down, and even in the dark lift, that I began
to have a curious sensation of an immense immeasurable height, and Pu-Yi
gave me a warning look as who would say, "Now, get ready, the adventure
really begins."
We stopped, the door slid back and immediately we were in a blaze of
light. We were no longer out of doors. The lift had come up through the
floor of a large room. It was divided into two portions by polished
steel bars extending from ceiling to floor. A cat could not have
squeezed through. On our side, the lift side, the floor was covered
with matting but there was no furniture at all. Beyond the bars were a
Turkey carpet, several armchairs, a mahogany table with bottles,
siphons, newspapers, and a large, automatic pistol. An electric fire
burned cheerily in one corner and at right angles to it was a couch.
Upon this couch, purple-faced and snoring like a bull, lay Mulligan,
huge, relaxed, helpless.
"Good heavens!" I whispered. "Gideon Morse is safe enough here."
"In ten seconds," Pu-Yi whispered, "by pressing that bell button,
Mulligan could have the room full of armed guards, and as you see, this
steel fence is impassable without the key. There are only three keys, of
which I have one."
He produced it as he spoke, inserting it in a gleaming, complicated
lock, slid back a portion of the steel-work, and we stepped into the
guard-room.
Public-domain text, read in full here on John Shaqi.
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