Just such a place was the Treasure Shop. Its atmosphere was all this
and more. Sitting there on a stool behind his heaped-up counter, in the
midst of this chaos of years, the old gentleman was no longer a simple
painter of landscape, but an old eccentric, whose every look and every
gesture were begotten of his strange and mysterious acquaintance with
the Past.
It came to be known of him that he was loth to part with his wares. It
came to be told of him in the hotels that he was a strange old man who
had lived so long in his musty environment of dead people’s belongings
that he could not bring himself to sell them; as though the spirits of
those departed owners abode with him as well, and laid their cold hands
upon his heart whenever he would try to sell the treasures they once had
cherished.
And all this was the necromancy of the atmosphere in that little curio
shop in the _Merceria_. But to us, who know all about it, whose eyes
are not blinded with the glamour of illusion, there is little or nothing
of the eccentric about Thomas Grey.
It is not eccentric to have a heart--it is the most common possession of
humanity. It is not eccentric to treasure those things which are our
own, which have shared life with us, which have become a part of
ourselves; it is not eccentric to treasure them more than the simpler
necessities of existence. We all of us do that, though fear of the
accusation of sentimentality will not often allow us to admit it. It is
not eccentric to put away one’s pride, to take a lower seat at the
guest’s table in order that those we love shall have a higher place in
the eyes of the company. We all would do that also, if we obeyed the
gentle voice that speaks within everyone of us.
But if by chance this judgment is all at fault; if by chance it is
eccentric to do these things, then this was the eccentricity of that
white-haired old gentleman--Thomas Grey.
Whenever a customer--and ninety per cent. of them were tourists--came
into the shop, he treated them with undisguised suspicion. They had a
way of hitting upon those very things which he valued most--those very
things which he only meant to be on show in his little window.
Of course, when they selected something which he had only recently
acquired, his manner was courtesy itself. He could not say very much in
its favour, but then, the price was proportionately small. Under
circumstances such as these, they found him charming. But if they
happened to cast their eyes upon that Dresden-china figure which stood
so boldly in the fore-front of the window; if by hazard they coveted the
set of old ivory chess men, oh, you should have seen the frown that
crossed his forehead then! It was quite ominous.
"Well--that is very expensive," he always said and made no offer to
remove it from its place.
And sometimes they replied----
"Oh, yes--I expect so. I didn’t think it would be cheap. It’s so
beautiful, isn’t it? Of course--really--really old."
Public-domain text, read in full here on John Shaqi.
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