If, when one drops upon one’s knees at night and, beginning to deceive
oneself in one’s voluntary confessions, making oneself seem a fine
fellow by tardy admissions of virtue and tactful omissions of wrong, if
when one shows such delightful humanity in one’s prayers as this, and
cannot laugh at oneself at the same time, cannot see that it is but a
cheating at a game of Patience, then it might be as well not to pray at
all. For the humour in which a prayer is prayed, is the humour in which
a prayer will be judged, and if, seriously, one deceives oneself into
believing that one is a fine fellow, just so seriously will that deceit
be weighed; for there are mighty few of us who are fine fellows, which
is a great pity, for so mighty few of us to know it.
By the time John had reached the shrine of St. Anthony in the Duomo, by
the time his English penny had rattled in the box along with all the
other Italian coins, by the time the first words of his prayer were
framed upon his lips, a laugh began to twinkle in his eyes; he had found
his sense of humour, he had found his gift of laughter once more. It was
in his own prayer. Before he could utter it, he was smiling to think
how St. Anthony must be amused by the whole incident. Then, all it
needed was for him to be grateful and, dropping his head in his hands,
he expressed his gratitude by asking for other things.
St. Mark’s is one of the few churches in the world where you can
pray--one of the few churches in the world where they have not driven
God out of the Temple, like a common money-changer, driven Him out by
gaudy finery, by motley and tinsel. Mass at the High Altar there, is
the great Passion Play it was meant to be, performed upon a stage unhung
with violent colours, undecked with tawdry gems. They had no pandering
fear of the God they worshipped, when they built that theatre of
Christianity in the great Square of St. Mark’s. The drama of all that
wonderful story has a fit setting there. No stage is lit quite like it;
no tragedy is so tragic in all its awful solemnity as when they perform
the Mass in the duomo of St. Mark’s. As the Host is elevated, as that
sonorous bell rings out its thrilling chime and as the thousand heads
sink down within two thousand hands, a spirit indeed is rushing upwards
in a lightning passage to its God.
Once his head was bowed, once his eyes were closed, John was lost in the
contemplation of his prayer. He did not observe the party of people who
came by. He raised his head, but his eyes were fixed before him towards
the little shrine. He did not see one separate herself from the party,
did not notice her slip away unobserved and, coming back when they had
gone on, seat herself on the chair close by his side.
Only when his thoughts were ended, when St. Anthony had listened to all
that he had lost, to all the aching story of his heart, did he turn to
find what St. Anthony had brought him.
His lips trembled. He rubbed and rubbed his eyes.
Public-domain text, read in full here on John Shaqi.
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