At last, she turned her head and looked at him. The hand he held
quickened with feeling. It became alive. He felt the fingers tighten
on his own.
"You are thinking of me?" she said.
"I must," he replied.
"You feel it your duty because I’m here alone?"
He shook his head.
"I don’t feel duty," he answered. "There is no such thing. People do
what they do. When it is a disagreeable thing to do, they make it worth
the doing by calling it duty. That is the satisfaction they get out of
it. But everything that is done, is done for love--love of self or love
of other people. Duty is the name that enhances the value of
disagreeable things. But it’s only a name. There’s nothing behind
it--nothing human, nothing real. I don’t feel duty as some do, and so I
never attempt anything that’s disagreeable. A thing that is weighed is
repugnant to me. Just now things are very hard--just now I scarcely
know which way to turn. The little old white-haired lady puts her arms
round me and I feel I can’t let her go. You hold my hand and I feel
that I would move heaven and earth to save you from a moment’s
unhappiness." Reluctantly, he let go her hand and sat upright. "Here
we are; I say good-night here. You must think before you write that
letter."
She put out a detaining hand.
"Tell him to go back to your rooms," she said--"I’ll take you back there
before I go in. I’ve got a lot to say."
John smiled incredulously. He could have asked heaven for no greater
gift. His heart was sick. There was nothing but disillusionment to
which he could look forward. His own disillusionment had come already;
but that of the little old white-haired lady was harder to bear than his
own. Stretching before him, an ugly shadow, he saw the unswerving
promise of that day when he must tell her all the truth; that day, a
year perhaps to come, when, arriving in Venice without Jill, he must
explain her absence, either by another fabrication or the naked fact.
To hide his face from it all a little longer; to have Jill’s presence
closing his eyes to it, even though it were only for a speck of time in
the eternity that was to follow, was a reprieve for which he had not
dared to hope.
"You mean that?" he said eagerly.
"Yes."
John gave the order. The gondolier did not smile. Perhaps the motion of
his oar as he swung them round was a gentle comment. Every man has his
different medium of expression. There was once a ballet dancer who,
whenever she became excited and was driven to gesticulation, always
caught her skirt just below the knee and lifted it to show her instep.
It meant more than any words she could ever have uttered.
John sat back again by Jill’s side.
"Oh! it’s good," he said, half aloud, half to himself.
"What is good?" she whispered.
Public-domain text, read in full here on John Shaqi.
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