John took a box at the opera. There is some sense in taking a box at
the opera when you owe two quarters of your rent of thirty pounds a
year. To have a box all the year round with your visiting-card pinned
to the door, that is needless, unforgiveable extravagance, for it does
not then belong to you, but to your friends.
When John took the stage-box on the third tier, it was bread and butter,
dinners and teas, that he laid down in payment for the little slip of
paper. They did not know that. The clerk at the office thought it was
three guineas. He brushed off the money carelessly into the palm of his
hand without thinking that it could be anything but coin of the realm.
Who ever would go to the box-office of Covent Garden, and, tendering
ingenuously bread and butter, expect to get a ticket for the stage-box
on the third tier in return? But they are not observant, these
box-office clerks, for heaps of people do it.
There was an old lady just behind John, who handed in all her warm
spring under-clothing and a nice little embroidered lace cap that would
have looked delightful on her white head in the evenings of the summer
that was to come.
"I want a stall," said she, "for Tuesday night."
And in just the same inconsequent and unobservant way, the clerk,
without the slightest embarrassment, swept all the warm spring
under-clothing and the little lace cap into his hand and gave it her
without a word, but heavens! how insulted he would have been if you had
told him that he was simply a dealer in second-hand under-linen! It
would not have appeased him a bit, to tell him that the under-linen had
never been worn, that, in fact, it had never even been bought.
Just in this way, he took John’s bread and butter, and gave him the
stage-box on the third tier. It was for the night of _La Bohéme_.
On that same night, Jill was going to a dance, chaperoned by an older
school-friend of hers--one who had married--a Mrs. Crossthwaite. And
Mrs. Crossthwaite knew everything; not because she had been told it.
That is not the way amongst women. They tell each other what they are
pretending to believe, and both of them know all about it all the time.
There was the invitation to the dance--one known as a subscription.
Mrs. Dealtry could not go. She had a dinner party. Jill nominated Mrs.
Crossthwaite as her chaperon, and went to tea with her that day, having
seen John in the morning.
First, she spoke of the dance. Mrs. Crossthwaite was delighted. She
had been stepping it in the heart of her ever since she was married; but
only in the heart of her, and the heart of a woman is an impossible
floor to dance upon. It makes the heart, not the feet, tired.
Public-domain text, read in full here on John Shaqi.
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