To end the subject I said merely: “I’m glad to hear that I don’t look as
I did; because—because I shouldn’t like to think that the good old fellow
had cut me.”
_CHAPTER X_
My problem was now as to how to tell Regina Barry who I was; and it would
have been more urgent had I not felt sure that sooner or later she must
guess. Indeed, she might have guessed already. I had no means of knowing.
During the four or five days since her visit to the memorial no echo of
our meeting had come back to me.
But I was not left long in doubt.
The William Grace Memorial was now practically ready for furnishing.
Mrs. Grace was about to move back to town in order to undertake the
task. Coningsby and I were going through the rooms one day with an eye
to details that might have been overlooked when he said, “Well, there
doesn’t seem much more for you to do here, does there?”
I replied that as far as any further need of my services was concerned I
might knock off work there and then—thanking him for all his help through
the summer.
“And now,” he went on, “I should like you to come in on this job at
Atlantic City if you’d care to. You see, you and I understand each other;
we speak the same language both professionally and socially; and it’s not
so easy as you might think to pick up a chap of whom you can say that.
Why not come up to our little place—say to-morrow night—and dine with us,
and we could talk it over? My wife told me to ask you.”
Knowing that Coningsby had been aware of the state of my wardrobe a few
months earlier, I blushed to the roots of my hair as I put the question:
“What shall I wear? Tails—or a dinner jacket and black tie?”
“Oh, a dinner jacket. There’ll be just ourselves.”
But when I went I found not only my host and hostess, but Regina Barry to
make the party square.
The Coningsbys lived on the top floor of an apartment-house on the summit
of the ridge between the west side of the Park and the Hudson. Below
them lay a picturesque tumble of roofs running down to the river, beyond
which the abrupt New Jersey heights drew a long straight line against the
horizon. Sunset and moonset were the special beauties of the site, with
the swift and ceaseless current to add life and mystery to the outlook.
The apartment differed from Cantyre’s in that its simplicity would have
been bare had it not produced an impression of containing just enough.
The walls of the drawing-room were of a pale-gold ocher against which
every spot of color told for its full value. On this background the green
of chairs, the rose of lamp-shades, the mahogany of tables, and the
satinwood of cabinets pleased and rested the eye. There were no pictures
in the room but a portrait of Mrs. Coningsby, which one of the great
artists of the day had painted for her as a gift. In its richness of
copper-colored hair and diaphanous jade-green draperies the room got all
the decoration it required.
Public-domain text, read in full here on John Shaqi.
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