Fountains, one in each of the colonnades. To right, "Fountain of Youth," by Mrs. Edith Woodman Burroughs, of Flushing, New York. Figure of girl, simple and well-modeled; panels at either side show boats, youth rowing the older people; eagle and laurel wreath at back, suggest that central figure is United States. One figure shows a woman with hand at ear, her attention turned toward the beauty and happiness of lost youth. To left, "Fountain of El Dorado," by Gertrude Vanderbilt Whitney (Mrs. Harry Payne Whitney), of New York. Panels at either side show human struggle for "land of gold," or "happiness," or "success." Portals ajar, but Egyptian guardians bar the way. Dramatic subject, vigorous handling. View of San Francisco hills between the columns, one of the most beautiful views on the grounds. Inscriptions on north of tower, by Garnett, discovery of California and union with United States. From left to right: "1542 Juan Rodriguez Cabrillo discovers California and lands on its shores." "1776 Jose Joaquin Moraga founds the Mission of San Francisco de Asis"; "1846 the United States upon the outbreak of war with Mexico takes possession of California"; "1850 California is admitted to the Union as a sovereign State." Forecourt of Court of Universe; coloring good, graceful planting of cypress. Trees in niches under tower; contrast of colors, dark green, blue and pink. Court of the Universe Elephant poles, Roman, by McKim, Mead & White; streamers by Guerin. Bear fountains, in walls of Palaces of Liberal Arts and Manufactures, north of Tower of Jewels. Three on each wall. Colors, pink, dark blue, light green. Largest court in Exposition. By McKim, Mead & White, architects, of New York. Inspired by Bernini's entrance to St. Peter's, in Rome. Area of court, seven acres; 650 feet wide from arch to arch; 1200 feet from Tower of Jewels to Column of Progress. Palaces around court: northeast, Transportation; northwest, Agriculture; southwest, Liberal Arts; southeast, Manufactures. Sunken Garden, planted by John McLaren. Height of Arches of Rising Sun and Setting Sun, 203 feet from base to tip of sculpture. East, Arch of Rising Sun; Arch of Setting Sun, in west. Suggested by arches of Constantine and Titus in Rome; modified by use of green lattices, Oriental, and by colossal sculptural groups, the East and the West, in place of Roman chariot or quadriga. Columns in front of arches; composite, mingling of Ionic and Corinthian; female figure used as decoration. "Angel of Peace," by Leo Lentelli, on each side of arches on Sienna columns, repeated four times. Sword is turned down, but not sheathed, a commentary on modern peace. "Pegasus," in triangular spaces above arch, by Frederick G. R. Roth, repeated on the other side. Medallions, right and left sides of arches. Female figures suggesting Nature, by Calder; male figures suggesting Art, by B. Bufano, of New York. Above medallions on frieze, decorative griffons.