Frieze on pavilions at corners of court, "Signs of the Zodiac," Atlas and fourteen daughters, seven Pleiades and seven Hyades twelve bearing plaques, by Herman A. MacNeil, of New York. On four sides of each of the six dome-covered pavilions. The third figure from the end on either side represents Electra. Sculptor, in modelling the form, put it on one side and then reversed it on the other side. The daughters of Atlas: only those representing signs of the Zodiac, have shields. On each shield is one of the signs of the Zodiac. What the sculptor has designed on the right is reversed on the left, securing absolute symmetry. The figures are finely done and merit special attention. Lamps around sunken garden. Women; the Canephori, priestesses who carried baskets in ancient Greek religious festivals; men, suggestive of Hermes, used by Romans at ends of roads. Instead of baskets, they all carry jars. "Fountain of the Rising Still." Ninety-foot column crowned by figure of Rising Sun, by Adolph A. Weinman, of New York. Reliefs at base of column, "Day Triumphant"; Time, Light, Truth, Energy, conquering Falsehood, Vice, and Darkness. Ornamental figures under upper bowl looking down into water, suggest Neptune, but are winged, "Spirit of the Waters." "Fountain of Setting Sun." Column with figure of Setting Sun, a woman; called also "Descending Night." Reliefs at base of fountain, "Gentle Powers of Night," with Dusk covering Labor, Love, and Peace, followed by the Stars, Luna, Illusions, and Evening Mists. Tritons in pools of Fountains of Rising and Setting Sun, by Weinman. Two statues; one, triton struggles with snake; in the other, with fish. Two duplicated in each pool. Sheetlike appearance of water when full force of water is on; streams from figures in pool, overflowing from bowl, spouting from lion heads above frieze. "The Elements," reclining figures at head of main stairs leading down to sunken gardens by Robert Aitken, of New York. In size and treatment, suggestive of Michael Angelo. Northeast, "Water," riding a wave, with his trident in one hand, sea weed in the other. Northwest, "Fire," a Greek warrior lies in agony, grasping fire and lightning, with Phoenix, bird of flame, at back, and the salamander, reptile of fire, under his right leg. Southeast, "Earth," a woman leaning against a tree, apparently sleeping; at back two human figures struggle to uproot tree, symbol of man's war with nature. Southwest "Air" woman holding star to ear; birds, symbol of air; Icarus, mythological aviator who fell into sea, tied to wings of woman, typifying man's effort to conquer the air. Small lion fountains below "The Elements," by McKim, Mead & White. Bandstand, Arabic; picturesque, but inharmonious; obstructs view through entrance court. Four tigers at base of bandstand, facing pool; decorative. Court leading from gardens to Column of Progress. Designs repeated in frieze and in jeweled lamps of shell design, McKim, Mead & White; fine detail.