The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growthBarry, John D. (John Daniel)
History
The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth
Barry, John D. (John Daniel)
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
Quotation on Arch of Setting Sun, facing Venetian Court, chosen by
Garnett. Panels from left to right: "The world is in its most excellent
state when justice is supreme," from Dante, the Italian poet; "It is
absolutely indispensable for the United States to effect a passage from
the Mexican Gulf to the Pacific Ocean, and I am certain that they will
do it. Would that I might live to see it. But I shall not," from Goethe,
the German poet; "The Universe, an infinite sphere, the center
everywhere, the circumference no where," from Pascal, the French
philosopher.
Italian Renaissance architecture.
Colors rich and well harmonized; pink and green.
Picturesque lattice work in small doorways.
Lighting standards, by Faville.
Goats' heads at top of standards, just below the globe.
Arches on sides, coupled Corinthian columns. Endeavor to make them more
interesting than formal type of fluted columns. Four designs. They add
to richness of court.
Winged figures over arches, by Faville.
Blue medallions above arches, Faville. Italian adaptation of Byzantine,
Ship of State, the Bison, the Twins holding garlands representing
abundance, the horn of plenty and cadeucus, and tree.
Coloring under eaves, bright shades, blue and orange.
Planting, by McLaren, well-massed, in great profusion.
Court of Four Seasons
Court of Four Seasons, Henry Bacon, of New York, architect. Hadrian's
Villa used as model for half-dome and columns in front of fountain.
Italian Renaissance in feeling. Every detail in classic spirit. Gives
impression of seclusion and peace.
Quotations on gateways chosen by Garnett. On the eastern gateway, "So
forth issew'd the seasons of the yeare - first, lusty spring all dight
in leaves and flowres - then came the jolly sommer being dight in a thin
cassock coloured greene, then came the autumne all in yellow clad -
lastly came winter cloathed all in frize, chattering his teeth for cold
that did him chill," from "The Faerie Queene," by Edmund Spenser. On the
western gateway, "For lasting happiness we turn our eyes to one alone,
and she surrounds you now, great nature, refuge of the weary heart and
only balm to breasts that have been bruised. She bath cool hands for
every fevered brow and gentlest silence for the troubled soul," from
"The Triumph of Bohemia," by George Sterling.
Palaces around court: northeast, Agriculture; northwest, Food Products;
southwest, Education; southeast, Liberal Arts.
Emerald pool. Surrounded by shrubbery. No sculpture. Architectural term,
a "black mirror." Fine reflections.
Planting, by McLaren, simple and effective. Trees, olive, acacia,
eucalyptus, cypress, laurel. All foliage, grey-green; banner poles same
color.
Banners, by Ryan; no heraldic designs.
Best view of court from between columns of Fountains of Spring or
Autumn.
Public-domain text, read in full here on John Shaqi.
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