Corridors, pink walls, smoked olive columns with orange capitals. Against wall, Corinthian coupled pilasters. Roman banging lamps, by Kelham, suggest bronze, great weight. Bronze, pink, green, and cream. Italian bronze lanterns suggest blue eucalyptus. Lamp standards between columns, globe half concealed, by Kelham. Charm of effect, improvement on those with globe wholly visible. Conventionalized lions in pairs at portals, by Albert Laessle, of Philadelphia. Fountain, "Beauty and the Beast," by Edgar Walter, of San Francisco. Sandals and hat on woman. Beast at her feet. Fauns and satyrs, piping, under circular bowl. Frieze outside edge of bowl, lion, bear, ape, and tiger repeated; playful. Designed for Court of Palms to be seen from above. Lophantha trees, trimmed four feet from ground, branching out six feet across, along walks. Vista through fairy-like Court of the Ages to Florentine Tower and blue sky beyond, from south entrance of Court of Flowers. Along the South Wall, East of Tower of Jewels Palaces facing Avenue of Palms, from east to west: Varied Industries, Manufactures, Liberal Arts, Education. South facade of Palace of Varied Industries, by Faville. High walls, seventy feet in height, suggest eighteenth century California missions. Green domes on corners, Byzantine, inspired by mosques of Constantinople. Coloring of flags, cerulean blue, pastel red, and burnt orange. Windows in corners, mosque design. Little hexagonal kiosks at corners below domes, Moorish. Central portal, after portal of Santa Cruz Hospital, in Toledo, Spain. Sixteenth century Spanish Renaissance, plateresque. Lattice-work effect in doorway in harmony with lace-like silver-platter style. Niche walls pink, with ultramarine blue. Pope Calixtus III sent for a Spanish goldsmith, Diaz, to do work for him in Rome. Diaz returned to Spain, carrying the influence of the Italian Renaissance. He met the son of the architect of the cathedral at Toledo, De Egas. To the son he imparted his knowledge and the son applied it to architecture, creating the plateresque style. Till then all Spanish cathedrals had shown the Gothic influence from the north. Figures on large door by Stackpole. Upper figures, "Age Transferring His Burden to Youth," America. Figure in center piece of arch, "Power of Industry," the American workman. Figures in half circle above door, "Varied Industries," from left to right, Spinning, Building, Agriculture, Manual Labor, and Commerce. Figure repeated four times in lower niches, "Man with the Pick." "California Bear" and "California Shield" on buttresses, or square columns supporting wall. Used in old mission buildings. Avenue of Progress Planting, some of the best landscape effects in Exposition. Against buildings, Monterey cypress; banked by Lawson cypress in front and between these, spruces and Spanish fir.