The City of God, Volume IAugustine, of Hippo, Saint
ReligionChristian
The City of God, Volume I
Augustine, of Hippo, Saint
Apologetics -- Early works to 1800; Kingdom of God -- Early works to 1800
That theology, therefore, which is fabulous, theatrical, scenic,
and full of all baseness and unseemliness, is taken up into the
civil theology; and part of that theology, which in its totality
is deservedly judged to be worthy of reprobation and rejection, is
pronounced worthy to be cultivated and observed;--not at all an
incongruous part, as I have undertaken to show, and one which, being
alien to the whole body, was unsuitably attached to and suspended
from it, but a part entirely congruous with, and most harmoniously
fitted to the rest, as a member of the same body. For what else do
those images, forms, ages, sexes, characteristics of the gods show?
If the poets have Jupiter with a beard, and Mercury beardless, have
not the priests the same? Is the Priapus of the priests less obscene
than the Priapus of the players? Does he receive the adoration of
worshippers in a different form from that in which he moves about
the stage for the amusement of spectators? Is not Saturn old and
Apollo young in the shrines where their images stand, as well as when
represented by actor's masks? Why are Forculus, who presides over
doors, and Limentinus, who presides over thresholds and lintels, male
gods, and Cardea between them feminine, who presides over hinges?
Are not those things found in books on divine things, which grave
poets have deemed unworthy of their verses? Does the Diana of the
theatre carry arms, whilst the Diana of the city is simply a virgin?
Is the stage Apollo a lyrist, but the Delphic Apollo ignorant of this
art? But these things are decent compared with the more shameful
things. What was thought of Jupiter himself by those who placed his
wet nurse in the Capitol? Did they not bear witness to Euhemerus,
who, not with the garrulity of a fable-teller, but with the gravity
of an historian who had diligently investigated the matter, wrote
that all such gods had been men and mortals? And they who appointed
the Epulones as parasites at the table of Jupiter, what else did
they wish for but mimic sacred rites? For if any mimic had said
that parasites of Jupiter were made use of at his table, he would
assuredly have appeared to be seeking to call forth laughter. Varro
said it,--not when he was mocking, but when he was commending the
gods did he say it. His books on divine, not on human, things testify
that he wrote this,--not where he set forth the scenic games, but
where he explained the Capitoline laws. In a word, he is conquered,
and confesses that, as they made the gods with a human form, so they
believed that they are delighted with human pleasures.
Public-domain text, read in full here on John Shaqi.
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