Aristocracy (Social class) -- Fiction; Europeans -- United States -- Fiction; New York (N.Y.) -- Fiction
Prince Waldemar de Bosky's thoughts and reflections, up to the beginning
of this duologue, were of the rosiest and most cheerful nature. He was
not proud to be playing the violin in Spangler's, but he was human. He
was not above being gratified by the applause and enthusiasm of the
people who came to see if not to hear a prince of the blood perform.
His friends were out there in front, and it was to them that he played.
He was very happy. And the five thousand dollars in the old steel safe
at the shop of Mirabeau the clockmaker! He had been thinking of them and
of the letter he had posted to the man "up the river,"--and of the
interest he would take in the reply when it came. Abruptly, in the midst
of these agreeable thoughts, came the unlovely interruption.
At first he was bewildered, uncertain as to the course he should pursue.
He never had seen young Smith-Parvis before, but he had no difficulty in
identifying him as the disturber of Trotter's peace of mind. That there
was something dark and sinister behind the plans and motives of the
young man and his spy was not a matter for doubt. How was he to warn
Lady Jane? He was in a fearful state of perturbation as he stepped to
the front of the platform for the next number on the program.
As he played, he saw Smith-Parvis rejoin his party. He watched the
sallow man weave his way among the diners to his own table. His anxious
gaze sought out the Marchioness and Jane, and he was relieved to find
that they were not preparing to depart. Also, he looked again at
McFaddan and the dashing young woman at the foot of his table. He had
recognized the man who once a week came under his critical observation
as a proper footman. As a matter of fact, he had been a trifle
flabbergasted by the intense stare with which McFaddan favoured him. Up
to this hour he had not associated McFaddan with opulence or a
tailor-made dress suit.
After the encore, he descended from the platform and made his way,
bowing right and left to the friendly throng, until he brought up at the
Marchioness's table. There he paused and executed a profound bow.
The Marchioness proffered her hand, which he was careful not to see, and
said something to him in English. He shook his head, expressive of
despair, and replied in the Hungarian tongue.
"He does not understand English," said Jane, her eyes sparkling. Then
she complimented him in French.
De Bosky affected a faint expression of hope. He managed a few halting
words in French. Jane was delighted. This was rare good fun. The
musician turned to the others at the table and gave utterance to the
customary "Parle vouz Francais, madame--m'sieu?"
"Not a word," said Mrs. Hendricks. "_He_ understands it but he can't
hear it," she went on, and suddenly turned a fiery red. "How silly of
me," she said to the Marchioness, giggling hysterically.
Public-domain text, read in full here on John Shaqi.
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