The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
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The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
When Pauline, standing outside Carpentaria’s bungalow, had communicated
to Carpentaria the fateful fact that all Ilam’s servants had disappeared
from their rooms, and had given expression to the vague and terrible
fear that was beginning to take possession of her, the musician said in
reply:
“You have every reason to be afraid, and yet I shall ask you to try to
calm your apprehensions. Whether the servants are there or not, nobody
can get into your house without our knowing it, and when anybody starts
to attempt to get in, there will be plenty of time for you to alarm
yourself then.”
“But Rosie alone there with poor Mrs. Ilam!” sighed Pauline.
“Mrs. Ilam can’t do her any harm, at any rate,” said Carpentaria
comfortingly.
And with that he commenced a cautious perambulation of the exterior of
Ilam’s house, Pauline following him.
“I wish you would go to my sister until I have something to report,”
he murmured. “You will take cold, and you will work yourself up into a
fever, and do no good to anybody.”
“I shall not work myself up into a fever,” replied Pauline firmly. “I
am capable of being just as calm as you are yourself. Let us go at once
into the house--let us go to Rosie.”
“What!” expostulated Carpentaria, “and spoil whatever scheme is going
on? No, my dear young lady, we have gone so far that we must go a
little further. We must catch the schemers red-handed. If we do not, our
night’s work will have been wasted.”
The idea of weakly and pusillanimously changing a course of conduct
at the very moment when that course promised the most interesting
adventures shocked all the artist in him.
They stared blankly at the house, whose form was clearly revealed in the
misty moonlight, but none of whose windows showed the slightest glimmer
of light. It was an extremely modern tenement, and its architecture was
in no way startlingly original; nevertheless, in those moments it
seemed to both of them the strangest, the most mysterious, the most
insubstantial house that the hand of man had ever raised.
Suddenly Pauline clutched his arm.
“I hear some one walking somewhere in the grounds,” she said.
They both listened. In the stillness of the night regular steps sounded
plainly from a distance.
“It is the patrol on the terrace,” said Carpentaria.
“It is assuredly on the terrace--the sound of heavy boots on stone
flags, isn’t it?”
“Yes,” Pauline agreed, loosing his arm.
They were twenty or thirty yards from the house.
“I want you to be brave and to do something for me.”
Carpentaria turned to her.
“What is it?”
“Go to the patrol, and tell him I have sent you, and that he is to
remain within sight of the boat there, until further orders, keeping as
much in the background as possible. Will you go?”
“Alone?”
Public-domain text, read in full here on John Shaqi.
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