The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Then he ran off at a great speed in the direction of the Central Way.
At the southern end of the Central Way, nearly opposite to the general
offices of the City, was an elegant building known as the band-house.
Here dwelt the majority of the members of Carpentaria’s world-renowned
orchestra. Some members, being married to women instead of married to
their art, had permission to possess domestic hearths in London and the
suburbs, but these were few. The edifice was a very large one, as it.
had need to be. A peculiar feature of it was the rehearsal-room on the
top floor, constructed, like the finest flats in New York, in such a
manner as to be absolutely sound-proof.
Carpentaria rang the electric bell at the portals of the band-house, and
the portals were presently opened by a sleepy person whose duty it was
to admit bandsmen returning after late leave.
“Look ’ere,” said the porter, “this is a bit thick, this is. Do you
know as the hour is exactly----”
“Hold your tongue, you fool!” Carpentaria stopped him briefly, “and go
and bring Mr. Bruno to me at once; it’s very important. Let’s have some
light.”
“I beg pardon, sir,” said the porter, astounded by this nocturnal
apparition of the autocrat of the band. “Mr. Bruno is asleep, sir. He
had two whiskies to make him sleep, and went to bed afore midnight,
sir.”
“I know he’s asleep. Do you suppose I thought he was standing on his
head waiting for the dawn? Go and waken him--and quicker than that!
Here, I’ll go with you.”
The two men went upstairs together, and Mr. Bruno, principal
trombone-player of the band, was soon sitting up in bed, awaking to the
presence of his chief.
“Bruno, my lad,” said Carpentaria, “give me your trombone.”
“My trombone, sir?”
“Yes,” said Carpentaria. “Mendelssohn once remarked that the trombone
was an instrument too sacred to use often, but I think the supreme
occasion has arrived for me to use it to-night.”
“It’s there, in the corner, sir,” said Bruno, wondering vaguely what was
this latest caprice of Carpentaria’s.
Carpentaria rushed to the thing, took it out of its case, and put it to
his mouth.
“H’m!” he murmured, after he had sounded a note gently. “I can do it,
I think. Listen, Bruno! The occasion is not only supreme; it is
unique. You are to rouse all the men; you are to dress, and take your
instruments; and you are to go out quietly and surround the bungalow of
our honoured President, Mr. Josephus Ilam. You are to make no noise of
any kind until you hear me give the first bars of a tune, either with my
mouth or with this instrument. You are then to join in that tune.”
“What tune, sir?”
“You will hear.”
“Where shall you be, sir?”
Public-domain text, read in full here on John Shaqi.
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