The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“It is part of a larger piece of foolery that has rescued you, Ilam,”
Carpentaria replied, and he was crossing the room to approach Ilam,
when he saw something in the looking-glass over the mantelpiece, and he
started back.
Mrs. Ilam, the paralytic, roused in some strange way, either by the
violence of the scenes at which she had assisted, or by the inexplicable
influence of the music, was almost erect in her bed, and her trembling
parchment hands had seized the revolver which Rosie had left on the
floor, and she was endeavouring to point it between Jetsam’s shoulders.
The other two men turned and saw the fatal and appalling movement of
the aged creature, who was evidently in the grip of some tremendously
powerful instinct--the kind of instinct that only dies with death.
Carpentaria alone retained his self-possession. With a swift and yet
gentle movement he disarmed the terrible old woman, and she sank back,
with streaming eyes, helpless and moveless as before. The incident was
over in a few seconds.
“And now,” said Carpentaria, “I will hear your story, Mr. Jetsam. But
first, we must lift this bed back to its proper-position.”
“Very well,” replied Jetsam, trembling in spite of himself. “You shall
hear my story.”
The music ceased.
CHAPTER XXIX--Mr. Jetsam’s Recital
We will go downstairs,” said Carpentaria, when a certain amount of
order had been restored to the room. “We shall be more at ease there.”
“No,” cried Jetsam, and there was a note of passion in his voice. “This
old woman shall hear my tale. I tell it in her presence, or I tell
it not at all.” Carpentaria gazed at Mrs. Ilam’s eyes, which made no
response. Her bed was now replaced in its proper position, and those
strange burning eyes perused their old spot in the ceiling. After the
brief and terrible return of activity to that stricken body, it seemed
to have sunk back into a condition of helplessness more absolute even
than before. The eyes burned, but not quite with their former disturbing
brilliance.
“Very well,” Carpentaria agreed.
Ilam was already seated, apparently half-comatose. The other two men
each seized a chair. And then there was a timid but insistent knocking.
“What is that?” demanded Carpentaria of Jetsam. “You ought to know; you
have been master here for some hours.”
“It is Miss Rosie, I imagine,” Jetsam answered. “Your singular music has
startled her.”
Carpentaria walked rapidly to the door, unlocked it, and opened it.
Rosie it indeed was who stood there.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account