The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Ah, well; that doesn’t matter! When you hear the sequel of the story
you will be able to imagine what a Breton peasant is capable of. He is
the equal of the Norman peasant, and no French novelist has ever yet
dared to write down the actual! truth about the Norman peasant. I told
you that Mrs. Ilam and the old Frenchman had a chat on Exeter platform.
She told him that she was giving him a new charge, preferring to take
the other boy herself. It was arranged that the new charge should
accompany the Breton to France, and live with him as his foster-child.
Terms were fixed up, no doubt to the entire satisfaction of the peasant.
Then Mrs. Ilam ventured to play her great card. She informed the
Frenchman that his new charge was a very delicate plant, frequently ill,
and not apparently destined to long life. This, by the way, was grossly
untrue. ‘Of course, if he were to die,’ she said in effect to the
peasant, ‘you would lose the income which I shall pay to you for looking
after the child, and to compensate you for that loss I will promise
to give you, if he dies, the sum of five hundred pounds.’ I expect she
managed to put a peculiar and sinister emphasis on these words. Anyhow,
the Frenchman understood. That was just the kind of thing that you might
rely on a Breton peasant to comprehend without too much explanation.
Five hundred pounds is five hundred pounds; it is over twelve thousand
francs, and twelve thousand francs to a Breton peasant is worth
anything--it is worth eternal torture.”
“And so, in due course, Mrs. Ilam received news of her stepson’s death?”
“In due course she received news of her stepson’s death,” said
Jetsam. “It took a considerable time--six years, in fact--‘but it was
accompanied by legal proof, and when she received it Mrs. Ilam must have
been as happy as the day is long, especially as her own boy was growing
up strong and well, and Mr. Ilam had taken quite a fancy to him. So
all trace of the crime--would you call it a crime, or only a pleasing
manifestation of a mother’s love?--all trace of the crime was lost,
for the French peasant died; the English wife of the French peasant had
expired a long time before.”
And Jetsam paused again.
“I am accepting all that you say as gospel,” said Carpentaria. “Because
somehow it impresses me vividly as being true.” Here he looked at
Josephus Ilam, who avoided his glance. “But how does this matter concern
yourself, and in what way did you come upon the traces of the crime?”
“I’ll tell you,” Jetsam recommenced. “It was like this. The boy was not
dead.”
“Not dead?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account