The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Ah,” said Carpentaria, “you didn’t mind them deceiving me! But when it
comes to deceiving you----! It must have been a united plot on the part
of those two pairs of people to deceive us two; and, I must say, they
managed the thing pretty well. Don’t you think so?”
“I think they’ve been horrid,” said Pauline.
“And we two are quite alone, for one solid week--you in your house, and
I in mine,” said Carpentaria.
There was a pause, and then he heard a sob.
“You aren’t really crying, are you?” he demanded.
Pauline made no answer.
In crying she had lost herself. She had given herself away--she had
precipitated a crisis which, in any event, could not have been long
postponed. In a word, he tried to comfort her. You may guess how he did
it. You may guess whether she objected. You may guess if he succeeded.
In a quarter of an hour she was telling him that she had always liked
him, that, formerly, she and Rosie used to worship him--Rosie even more
than she--but that that sort of worship was nothing compared to the
feelings which she at present entertained--_et seq_.
And the fireworks and the applause of the vast crowd provided the kind
of setting that Carlos Carpentaria loved.
THE END
End of the Project Gutenberg EBook of The City Of Pleasure, by Arnold Bennett
Public-domain text, read in full here on John Shaqi.
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