The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
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The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Why don’t you come in, Carlos?” she murmured softly, and her eyes fell,
“instead of knocking and making such a noise. What’s the matter?”
Carpentaria was certainly astonished at the nature and tone of her
remark. She seemed to wish to run away. Then he gathered himself
together, with an immense show of force, as a man will when confronted
by a woman who is helpless before him, but of whom he is afraid.
“I don’t want to come in,” he said.
“Why?” she demanded.
“You know why,” he said.
“Indeed I don’t,” she asserted; and she laughed--a curt laugh.
“You promised me you wouldn’t see Ilam again at present,” said
Carpentaria stoutly.
Juliette tossed ever so little her charming head, with its admirable
coiffure.
“I did,” she admitted.
“Well,” said Carpentaria, “he is at this moment in the sitting-room.”
Juliette’s dainty nostrils began to dilate.
“Carlos,” she said disdainfully, “do you know what you are saying? To
me! Mr. Ilam is not here. I have already asked you to come in!”
“Yes,” said Carpentaria, “but you don’t make way for me. You keep well
in the doorway, Juliette!”
She moved aside with a gesture of the finest feminine scorn.
“Is there space for you to enter?” she said, bitterly sarcastic.
Carpentaria stepped forward one pace. His foot was on the door-mat.
“Stop a moment, Carlos,” she said warningly, lifting her arm. “I repeat
that Mr. Ilam is not here. I cannot imagine what put the idea into your
head. But whatever put it in, let me advise you to put it out again at
once. Under the circumstances, if you come into this room, now that
I have distinctly told you that Mr. Ilam is not here, it will be
equivalent to calling me a liar. I could not suffer that, even from you,
Carlos. I should leave you. We should quarrel for ever. Think what you
are doing.”
Tears stood in her eyes.
Carpentaria shuffled his feet in an agony of uncertainty.
“Come in if you doubt me,” Juliette continued. “But if you do, it will
be the end.”
Carpentaria turned slowly away, and passed down the corridor.
“Of course I don’t doubt you,” he called out.
Juliette made no response. She waited till her half-brother had
descended the stairs, then she shut the door quietly, and ran to the
Louis Quinze sofa, with its gilded borders, that stood a little way from
the window.
“You can come out,” she whispered.
And from behind the sofa emerged the bulky form of Josephus Ilam.
“Great heavens!” he muttered, searching in his pocket for a
handkerchief.
Juliette sat down on a chair and burst into tears. The contrast between
their two handkerchiefs--Ham’s enormous, like himself, and Juliette’s a
fragment of lace no larger than a piece of bread-and-butter--was one of
those trifles which put an edge of the comical on the tragic stuff of
life.
“You are an astounding woman!” exclaimed Ilam, wiping his brow.
“I have lied to him--I have deceived him. You heard what I said?”
whimpered Juliette.
“You behaved superbly,” said Ilam.
Public-domain text, read in full here on John Shaqi.
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