The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Go and fetch him down,” he said peremptorily to the Soudanese.
And Jake vanished.
“One way or another this shall end,” he murmured, gazing at the old
woman in her lowly position among the heaped confusion of the floor; and
he waited, eyeing at intervals the door.
At length the door opened, and the Soudanese came in, and he was leading
by the hand Josephus Ilam. Jetsam stepped quickly behind them and shut
and locked the door.
“Now then, Ilam,” said he, “sit down. Make him sit down, Jake.”
And quite obediently Ilam sat down on a chair, near the night-table.
He made no remark; he scarcely looked round; his senses seemed to be
dulled; it was as though his mind had retired to some fastness from
which it refused to emerge.
“What do you want?” Ilam demanded gloomily. “What have you been doing?”
“I’m going to make one last appeal to you, Ilam,” said Jetsam. “I
kidnapped you for this, I may tell you. I was determined to confront the
mother and the son if necessity should arise. But you nearly did for me
by swallowing too much of that blessed opiate. You are clumsy, even
when you are a victim. However, you’ve got over it nicely, haven’t you?
Pretty notion, wasn’t it,” he continued, “to conceal you in your own
attic, where no one would ever think of looking for you? But it wanted
doing, my weighty friend--it wanted doing.”
“What are you after?” Ilam asked again, as if in the grip of one fixed
idea. “You’ve got the money--what else do you want?”
“You know perfectly well what I want,” said Jetsam. “My case is complete
except for that photograph, and I’ve secured as much money as will keep
me on my pins till I’ve forced you to see reason. But the photograph is
lacking; you are aware of that. It’s certainly rather hard lines on you
that you should be forced to give up the very thing whose possession by
me will ruin you. But what would you have? I am desperate, and no one
knows better than you and this sad creature here that my cause is just.
Tell me where the photograph is.”
“I don’t know what you mean,” said Ilam doggedly.
Jetsam turned to Mrs. Ilam.
“Listen, murderess,” he said, and Ilam shuddered at that word: “if you
do not answer my questions I will kill your son before your eyes. Does
Ilam know where the photograph is?”
Once again the old woman obstinately shut her eyes and refused to give
any indication.
Ilam, who seemed mentally to be quickly regaining his normal state,
stood up and moved to the fireplace.
“Stand!” said Jetsam angrily, and he drew his revolver from his pocket.
“I will know where that photograph is or I will hang for you. I shall
not be the first man who has died in a good cause. Now, where is that
photograph? Did you or your mother take it out of the box?”
He lifted the revolver.
“I took it out of the box,” snarled Ilam--“I--I--I--and my mother knew
nothing.”
“And where is it?” asked Jetsam, smiling triumphantly.
Public-domain text, read in full here on John Shaqi.
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