The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
The next point of curiosity was the mosque; and I was no less surprised
than gratified at the readiness with which Azmi Bey acceded to our
desire of visiting it. The outer apartment, or vestibule, was covered
with fine Indian matting, and before we traversed it the Bey requested
my father to put off his boots, though he made no objection to my
retaining my slippers. As we reached the door which opened into the body
of the mosque, I perceived that we had arrived during the prayers. The
High Priest sat with his arms folded above his ample robe; his dark brow
surmounted by a turban of the sacred green, and his feet doubled under
him, in a recess facing the entrance, chanting in a nasal and monotonous
drawl; while a very slender congregation was scattered over the floor,
squatted upon the rich carpets that covered it. But we no sooner made
our appearance than the Mufti rose and quitted the mosque, followed by
his little flock; and we were left in quiet possession of the elegant
temple whence they had so hastily withdrawn.
The faith of the Musselmauns is that of love, not fear: to believe in
One GOD, and to be charitable—and who shall deny that it is a
comprehensive creed? The mosque in which we stood was the very
embodiment of such a worship—the sunshine streamed through its many
windows upon the most delicate fresco-painting, the brightest and
richest of carpets, and the glittering lattices of the Imperial closet.
The only dark object that met the eye was a curtain of olive-coloured
cloth, surrounded by a bordering of flowers, delicately worked in tinted
silks, which veiled the entrance of the marble steps leading to the
pulpit—all beside was dazzlingly bright, and it was almost with regret
that I returned into the vestibule, in order to ascend to the Sultan’s
gallery.
A small hall and a handsome flight of stairs, closely covered with
English carpeting, conducted us to an elegant anti-room, from which four
doors, veiled by draperies of dove-coloured cloth heavily fringed,
opened into as many apartments, appropriated to the Sultan and his
suite.
The Imperial closet is richly hung with gold-coloured draperies, that
fling a sunset glow on the surrounding objects: a magnificent sofa
occupies one side of the room, and the floor is covered with a Brussels
carpet. Portions of the gilded lattice open and shut at pleasure; and
the whole has so perfectly Oriental an effect, that you involuntarily
think of Scheherazade and her fable-loving Sultan; and forget the
sanctity of the place, while contemplating the luxury of its
arrangement.
The gallery appropriated to the Imperial suite adjoins the closet, and
beyond this is the retiring-room of the Sultan, wherein he performs his
ablutions, previously to the commencement of the service. It is less
gorgeous in its general effect than the closet, but commands a noble
view of the Bosphorus, and the Sea of Marmora.
Public-domain text, read in full here on John Shaqi.
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