The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
Nothing sharpens the wits of a Turk like self-interest.
The procession, from which I have digressed, passed through the street
called Divan-Yoli, terminating at the mosque of St. Sophia, near the
Imperial Palace. When it arrived at Ortakapou, or The Middle Door, the
whole of the officers alighted, and formed an avenue to the entrance of
the harem, whence the marriage gifts were conveyed into the Seraï, where
the Seraskier, acting for the bridegroom, craved and obtained an
interview with the Kislar-Agha, who was proxy for the Princess. This
hideous negro has the thickest lips, the flattest nose, the smallest
eyes, and the most unwieldy person of all the eunuchs of the empire.
Imagination cannot paint his ugliness! And before this revolting
caricature of humanity, the haughty Minister, in whose hands are life
and death, bent his stubborn knee in supplication. Scarcely had he
crossed the threshold of the magnificent apartment in which the
Kislar-Agha awaited him, ere he prostrated himself to the earth, as he
besought the monstrous representative of youth and beauty to have mercy
upon the slave who kissed the dust before the Light of the Creation, the
Glory of the Moon,[3] the Empress of his thoughts—upon which the
unwieldy negro averted his face, cast down his eyes, and assumed the
prude; but, after a vast deal of coquetting, the lover-like vehemence of
the gray-headed Seraskier met with its reward—a sable hand was extended
towards him, which he embraced with transport—the presents were
condescendingly accepted; the sweetmeats by the Kislar-Agha himself: and
the more costly offerings by the principal eunuchs of the palace, in the
names of their Imperial Mistresses, to whom they were immediately
conveyed.
And thus terminated the first act of the sublime comedy!
CHAPTER XV.
Fine Scenery—The Coast of Asia—Turkish Cemeteries—The
Imperial Seraï—The Golden Horn—Mount Olympus—The
Arabajhe—The Araba—The Persian Kiosk—The Barrack of
Scutari—The Mosque of Selim III.—The Slipper of the Sultana
Validè—The Imperial Guard—Military Material—The Macaroni
Manufactory—Sublime Targets—A Major of the Imperial
Guard—Triumph of Utilitarianism—The Rise of the Vines—The
Holy Tomb—Encampments of the Plague-smitten—The Setting
Sun—Return to Europe—The Square of Topphannè.
I have seldom seen a lovelier day than that on which we first passed
over to Scutari; the sunshine was bright upon the Bosphorus, the tops of
the tall cypresses were golden in the light, and their feathery branches
heaved slightly beneath the breeze; the sky was blue about the spiral
minarets: and the painted houses gleamed out like gigantic flowers as
the day-beam touched them; the ripple sparkled like diamond-dust, and
our arrowy caïque seemed to breathe as it undulated upon the surface.
Public-domain text, read in full here on John Shaqi.
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