The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
As I descended the hill, I saw a procession of carriages issuing from
the palace court, and making their way along the opposite bank of the
stream, which forms the boundary of the Imperial pleasure grounds. A
mounted guard stopped me for an instant at the foot of the height, but
suffered me to pass after the delay of a moment, as he had received no
orders to prevent the entrance of any Frank lady by that road; the
interdict being confined to Greeks, Armenians, and Jewesses. Simply
requesting me, therefore, to stop my carriage, as the Imperial family
passed, he desired my arabajhe to proceed. I obeyed without hesitation;
and, as the river is only a few feet in width, I had an excellent view
of the distinguished party.
An open carriage, drawn by four fine bay horses, each led by a groom,
contained the two younger sons of the Sultan, the palace dwarf, and the
principal negro of the Sultan’s household. The infant prince is a
sweet-looking child, with bright eyes and rosy cheeks, and appears
healthy enough to be the son of a peasant. Four bullock-carriages
followed, and among their veiled occupants were the Princess Mihirmàh,
her mother, and one of her sisters. Some of the younger ladies were
exceedingly lovely, and wore their yashmacs so transparent, and so
coquettishly arranged, that I could trace their features distinctly.
This is, however, by no means the case generally speaking, as the
inmates of the Imperial Seraglio are more closely covered when in a less
retired spot, than any other of the Turkish women; and I remember on one
occasion to have seen a favourite Odalique of the Sultan, who had a
gauze across her eyes, as well as wearing her yashmac close to their
very lids!
Troops of negroes surrounded the carriages, and the procession was
closed by the Kislar Agha, mounted on a superb Arabian horse, and
accompanied by four attendants on foot.
As soon as the _cortège_ had passed, I pursued my way, and found that my
friends had been compelled to make a circuit, and to enter the valley by
another road, which did not communicate with the palace grounds. Nothing
could be more cheerful or more picturesque than the scene that met my
eye as I descended from the araba. The greensward was covered with merry
groups—Wallachian and Bulgarian musicians were scattered among the
revellers; Bohemian flower girls were vending their pretty nosegays in
every direction, so skilfully arranged that each veiled fair one saw in
an instant whether the tale she wished to tell had been anticipated by
the dark-eyed Flora—mounted patroles appeared and disappeared along the
crests of the hills as they pursued their round of observation—an
Imperial caïque of white and gold was riding upon the ripple near one of
the palace gates—Turkish servants were galloping in all
directions—every avenue of the Imperial residence was doubly
guarded—and all was bustle and excitement.
[Illustration: Miss Pardoe del.
Day & Haghe Lith^{rs}. to the King
PALACE of the “SWEET WATERS”.
Public-domain text, read in full here on John Shaqi.
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