The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
A confused dance, accompanied by the wild, shrill chanting of the
dancers, which I can compare to nothing but the orgies of a troop of
Bacchantes, succeeded the departure of the actors, and the whole arena
appeared in motion. The drums and tambourines gave out their loudest
discord; gold and silver glittered in the sunshine; arms were tossed in
the air; the long tresses of the performers floated on the wind; and I
was delighted when the appearance of a troop of Bedouin Arabs, summoned
to Stamboul expressly for the occasion, possessed themselves of the open
space to exhibit their feats of strength and address. They were
magnificently attired in coloured satins, and formed a very curious
group; but their accomplishments would scarcely have secured for them an
engagement in a respectable English booth. It was altogether pitiable.
When I at length contrived to escape from the crowd, I left a party of
the dancing boys performing their evolutions in the Kiosk of the
Pashas. Their Highnesses had not yet had a surfeit of the senseless
pastime; and the youths were reaping a golden harvest.
The days are gone by in which people were wont to talk of the “Wise Men
of the East.”
CHAPTER XXVII.
Succession of Banquets—The Chèïk Islam and the
Clergy—Sectarian Prejudices—The Military Staff—The Naval
Chiefs—The Imperial Household—The Pashas—The Grand
Vizier—Magnificent Procession—Night Scene on the
Bosphorus—The Palace of the Seraskier Pasha—Palace of Azmè
Sultane—Midnight Serenade—Pretty Truants—The Shore of
Asia—Ambassadorial Banquet—War Dance—Beautiful Effects of
Light.
One of the most characteristic features of the marriage festivities was
the succession of banquets given by the Sultan to the different high
personages, belonging to, or connected with, his Empire.
The first day was sacred to the Clergy, and the procession was a most
interesting one. At its head walked the Chèïk Islam, with the golden
circlet about his brow, and his graceful robes of white cachemire
falling around him in heavy folds; a party of the principal Imams
followed. Then came the High Chief of the Turning Dervishes, with his
lofty hat of white felt folded about with a shawl of the sacred green,
and shrouded in his ample mantle. Other sects of Dervishes succeeded;
and after them came Hadjis from the Holy Shrine of Mahomet—Emirs with
their voluminous white turbans—and Fakirs from the far East. A short
space behind advanced the Greek Patriarch, with his jewelled crown, and
robes of embroidered satin; supported by a group of prelates. Following
close upon his steps, next moved forward the Armenian Archbishop,
similarly attended, and gorgeously attired; and as he advanced, he made
way for the Jewish Hahām-bachi, or Grand Rabbi, with his flowing
beard and inlaid crosier; a throng of Rabbis were in his train; and
altogether the scene was one of a most interesting character.
Public-domain text, read in full here on John Shaqi.
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