The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
Next came twelve beautiful white mules, magnificently housed, and led by
pages dressed in a scarlet uniform: a present to the Princess from her
Imperial Father.
Nine carriages of silver net-work, roofed and draperied with coloured
silk, each drawn by four bay horses, followed next in line; and through
the transparent lattices glittered the costly sofa-furniture of tissue
and embroidery; the velvet cushions, and the golden fringes which were
to adorn the saloons of the bridal Palace.
After these came three open droskys, with pages running at the
bridle-rein of the superb leaders, who seemed impatient of the pace at
which they travelled, and scattered the foam from their mouths as they
champed their embossed bits; and these were overlaid with cloths of
crimson velvet fringed with gold, on which was displayed a collection of
richly-chased silver plate.
Then followed five other carriages, drawn like the foregoing by four
stately horses, containing trunks covered with coloured velvets and gold
and silver stuffs, and clamped and hinged with wrought silver, laden
with the linen of the Imperial Bride.
Next came forward what, at the first glance, seen as it was through the
cloud of dust raised by the carriages, seemed to be a moving tulip-bed,
extending far as the eye could reach. Nor was the illusion an
overstrained one; for this portion of the procession proved to be a
train of one hundred and fifty men, each attended by a page, and bearing
upon his head a basket of wicker-work, covered with gold tissue, and
surmounted by a raised dome of coloured gauze, decorated with bunches of
artificial flowers. Beneath these transparent screens might be seen the
toilette of the young Princess; her golden ewers, and jewel-studded
basins—her diamond-covered essence-boxes, and gemmed water-vases—her
glittering porcelain, her emerald-mounted hair-brushes—and all the
costly gauds which litter so magnificently the chambers of the great.
Golden cages, filled with stuffed birds—inlaid caskets, heavy with
perfumes—musical instruments, rich with laboured gold and
jewels—salvers, upheaped with gold coins—and ten thousand brilliant
toys, if not without a name, yet almost without a use, followed in their
turn; and then came pyramids of sweetmeats, glittering like fruits which
had suddenly been hardened into gems; and trays of shawls, each one a
fortune in itself, enveloped separately in wrappers of coloured gauze,
tied with long loops of ribbon.
Public-domain text, read in full here on John Shaqi.
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