The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
The most artistic of her poets, Tasso, is in the
hands of even the poorest.
The civilisation of Greece and Rome, which, ever since the fourteenth
century, obtained so powerful a hold on Italian life, as the source and
basis of culture, as the object and ideal of existence, partly also as
an avowed reaction against preceding tendencies--this civilisation had
long been exerting a partial influence on mediæval Europe, even beyond
the boundaries of Italy. The culture of which Charles the Great was a
representative was, in face of the barbarism of the seventh and eighth
centuries, essentially a Renaissance, and could appear under no other
form. Just as in the Romanesque architecture of the North, beside the
general outlines inherited from antiquity, remarkable direct imitations
of the antique also occur, so too monastic scholarship had not only
gradually absorbed an immense mass of materials from Roman writers, but
the style of it, from the days of Eginhard onwards shows traces of
conscious imitations.
But the resuscitation of antiquity took a different form in Italy from
that which it assumed in the North. The wave of barbarism had scarcely
gone by before the people, in whom the former life was but half effaced,
showed a consciousness of its past and a wish to reproduce it. Elsewhere
in Europe men deliberately and with reflection borrowed this or the
other element of classical civilisation; in Italy the sympathies both of
the learned and of the people were naturally engaged on the side of
antiquity as a whole, which stood to them as a symbol of past greatness.
The Latin language, too, was easy to an Italian, and the numerous
monuments and documents in which the country abounded facilitated a
return to the past. With this tendency other elements--the popular
character which time had now greatly modified, the political
institutions imported by the Lombards from Germany, chivalry and other
northern forms of civilisation, and the influence of religion and the
Church--combined to produce the modern Italian spirit, which was
destined to serve as the model and ideal for the whole western world.
Public-domain text, read in full here on John Shaqi.
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