The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
In geography[655] as in other matters, it is vain to attempt to
distinguish how much is to be attributed to the study of the ancients,
and how much to the special genius of the Italians. They saw and treated
the things of this world from an objective point of view, even before
they were familiar with ancient literature, partly because they were
themselves a half-ancient people, and partly because their political
circumstances predisposed them to it; but they would not so rapidly have
attained to such perfection had not the old geographers showed them the
way. The influence of the existing Italian geographies on the spirit and
tendencies of the travellers and discoverers was also inestimable. Even
the simple ‘dilettante’ of a science--if in the present case we should
assign to Æneas Sylvius so low a rank--can diffuse just that sort of
general interest in the subject which prepares for new pioneers the
indispensable groundwork of a favourable predisposition in the public
mind. True discoverers in any science know well what they owe to such
mediation.
CHAPTER II.
NATURAL SCIENCE IN ITALY.
For the position of the Italians in the sphere of the natural sciences,
we must refer the reader to the special treatises on the subject, of
which the only one with which we are familiar is the superficial and
depreciatory work of Libri.[656] The dispute as to the priority of
particular discoveries concerns us all the less, since we hold that, at
any time, and among any civilised people, a man may appear who, starting
with very scanty preparation, is driven by an irresistible impulse into
the path of scientific investigation, and through his native gifts
achieves the most astonishing success. Such men were Gerbert of Rheims
and Roger Bacon. That they were masters of the whole knowledge of the
age in their several departments, was a natural consequence of the
spirit in which they worked. When once the veil of illusion was torn
asunder, when once the dread of nature and the slavery to books and
tradition were overcome, countless problems lay before them for
solution. It is another matter when a whole people takes a natural
delight in the study and investigation of nature, at a time when other
nations are indifferent, that is to say, when the discoverer is not
threatened or wholly ignored, but can count on the friendly support
of congenial spirits. That this was the case in Italy, is
unquestionable.[657] The Italian students of nature trace with pride in
the ‘Divine Comedy’ the hints and proofs of Dante’s scientific interest
in nature.[658] On his claim to priority in this or that discovery or
reference, we must leave the men of science to decide; but every layman
must be struck by the wealth of his observations on the external world,
shown merely in his pictures and comparisons. He, more than any other
modern poet, takes them from reality, whether in nature or human life,
and uses them, never as mere ornament, but in order to give the reader
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