In Florence society was powerfully affected by literature and politics. Lorenzo the Magnificent was supreme over his circle, not, as we might be led to believe, through the princely position which he occupied, but rather through the wonderful tact he displayed in giving perfect freedom of action to the many and varied natures which surrounded him.[875] We see how gently he dealt with his great tutor Politian, and how the sovereignty of the poet and scholar was reconciled, though not without difficulty, with the inevitable reserve prescribed by the approaching change in the position of the house of Medici and by consideration for the sensitiveness of the wife. In return for the treatment he received, Politian became the herald and the living symbol of Medicean glory. Lorenzo, after the fashion of a true Medici, delighted in giving an outward and artistic expression to his social amusements. In his brilliant improvisation--the Hawking Party--he gives us a humorous description of his comrades, and in the Symposium a burlesque of them, but in both cases in such a manner that we clearly feel his capacity for more serious companionship.[876] Of this intercourse his correspondence and the records of his literary and philosophical conversation give ample proof. Some of the social unions which were afterwards formed in Florence were in part political clubs, though not without a certain poetical and philosophical character also. Of this kind was the so-called Platonic Academy which met after Lorenzo’s death in the gardens of the Ruccellai.[877] At the courts of the princes, society naturally depended on the character of the ruler. After the beginning of the sixteenth century they became few in number, and these few soon lost their importance. Rome, however, possessed in the unique court of Leo X. a society to which the history of the world offers no parallel. CHAPTER V. THE PERFECT MAN OF SOCIETY.