The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
of deeper passions, as well as the hypocrisy and devilish malice shown
by some in their later years, are best set forth by Giraldi, in the
novels which form the introduction to the ‘Hecatommithi.’ Pietro
Aretino, in his ‘Ragionamenti,’ gives us rather a picture of his own
depraved character than of this unhappy class of women as they really
were.
The mistresses of the princes, as has already been pointed out (p. 53),
were sung by poets and painted by artists, and in consequence have been
personally familiar to their contemporaries and to posterity. We hardly
know more than the name of Alice Perrers and of Clara Dettin, the
mistress of Frederick the Victorious, and of Agnes Sorel have only a
half-legendary story. With the monarchs of the age of the
Renaissance--Francis I. and Henry II.--the case is different.
CHAPTER VII.
DOMESTIC ECONOMY.
After treating of the intercourse of society, let us glance for a moment
at the domestic life of this period. We are commonly disposed to look on
the family life of the Italians at this time as hopelessly ruined by the
national immorality, and this side of the question will be more fully
discussed in the sequel. For the moment we must content ourselves with
pointing out that conjugal infidelity has by no means so disastrous an
influence on family life in Italy as in the North, so long at least as
certain limits are not overstepped.
The domestic life of the Middle Ages was a product of popular morals, or
if we prefer to put it otherwise, a result of the inborn tendencies of
national life, modified by the varied circumstances which affected them.
Chivalry at the time of its splendour left domestic economy untouched.
The knight wandered from court to court, and from one battle-field to
another. His homage was given systematically to some other woman than
his own wife, and things went how they might at home in the castle.[906]
The spirit of the Renaissance first brought order into domestic life,
treating it as a work of deliberate contrivance. Intelligent economical
views (p. 77), and a rational style of domestic architecture served to
promote this end. But the chief cause of the change was the thoughtful
study of all questions relating to social intercourse, to education, to
domestic service and organisation.
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