The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
Such representations as were wholly or chiefly secular in their
character were arranged, especially at the more important princely
courts, mainly with a view to splendid and striking scenic effects. The
subjects were mythological or allegorical, and the interpretation
commonly lay on the surface. Extravagancies, indeed, were not
wanting--gigantic animals from which a crowd of masked figures suddenly
emerged, as at Siena[944] in the year 1465, when at a public reception a
ballet of twelve persons came out of a golden wolf; living table
ornaments, not always, however, showing the tasteless exaggeration of
the Burgundian Court (p. 182)--and the like. Most of them showed some
artistic or poetical feeling. The mixture of pantomime and the drama at
the Court of Ferrara has been already referred to in the treating of
poetry (p. 318). The entertainments given in 1473 by the Cardinal Pietro
Riario at Rome when Leonora of Aragon, the destined bride of Prince
Hercules of Ferrara, was passing through the city, were famous far
beyond the limits of Italy.[945] The plays acted were mysteries on some
ecclesiastical subject, the pantomimes on the contrary, were
mythological. There were represented Orpheus with the beasts, Perseus
and Andromeda, Ceres drawn by dragons, Bacchus and Ariadne by panthers,
and finally the education of Achilles. Then followed a ballet of the
famous lovers of ancient times, with a troop of nymphs, which was
interrupted by an attack of predatory centaurs, who in their turn were
vanquished and put to flight by Hercules. The fact, in itself a trifle,
may be mentioned, as characteristic of the taste of the time, that the
human beings who at all the festivals appeared as statues in niches or
on pillars and triumphal arches, and then showed themselves to be alive
by singing or speaking, wore their natural complexion and a natural
costume, and thus the sense of incongruity was removed; while in the
house of Riario there was exhibited a living child, gilt from head to
foot, who showered water round him from a spring.[946]
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