A splendid contrast to all this is offered by the power exercised over the nation by its great Preachers of Repentance. Other countries of Europe were from time to time moved by the words of saintly monks, but only superficially, in comparison with the periodical upheaval of the Italian conscience. The only man, in fact, who produced a similar effect in Germany during the fifteenth century,[1050] was an Italian, born in the Abruzzi, named Giovanni Capistrano. Those natures which bear within them this religious vocation and this commanding earnestness, wore then in Northern countries an intuitive and mystical aspect. In the South they were practical and expansive, and shared in the national gift of language and oratorical skill. The North produced an ‘Imitation of Christ,’ which worked silently, at first only within the walls of the monastery, but worked for the ages; the South produced men who made on their fellows a mighty but passing impression. This impression consisted chiefly in the awakening of the conscience. The sermons were moral exhortations, free from abstract notions and full of practical application, rendered more impressive by the saintly and ascetic character of the preacher, and by the miracles which, even against his will, the inflamed imagination of the people attributed to him.[1051] The most powerful argument used was not the threat of Hell and Purgatory, but rather the living results of the ‘maledizione,’ the temporal ruin wrought on the individual by the curse which clings to wrong-doing. The grieving of Christ and the Saints has its consequences in this life. And only thus could men, sunk in passion and guilt, be brought to repentance and amendment--which was the chief object of these sermons. Among these preachers were Bernadino da Siena, and his two pupils, Alberto da Sarteano and Jacopo della Marca, Giovanni Capistrano, Roberto da Lecce (p. 413), and finally, Girolamo Savonarola. No prejudice of the day was stronger than that against the mendicant friar, and this they overcame. They were criticised and ridiculed by a scornful humanism;[1052] but when they raised their voices, no one gave heed to the humanists. The thing was no novelty, and the scoffing Florentines had already in the fourteenth century learned to caricature it whenever it appeared in the pulpit.[1053] But no sooner did Savonarola come forward than he carried the people so triumphantly with him, that soon all their beloved art and culture melted away in the furnace which he lighted. Even the grossest profanation done to the cause by hypocritical monks, who got up an effect in the audience by means of confederates (p. 460), could not bring the thing itself into discredit. Men kept on laughing at the ordinary monkish sermons, with their spurious miracles and manufactured reliques;[1054] but did not cease to honour the great and genuine prophets. These are a true Italian specialty of the fifteenth century.