The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
This perversion of homage gave great offense to Venus, who complained
that Paris might just as well not have yielded her the palm of beauty
over Pallas and Juno, if a mortal were thus to usurp her honors.
Wherefore she called Cupid and, pointing out Psyche to him, bade him
infuse into the bosom of that haughty girl a passion for some low,
unworthy being.
There were in Venus's garden two fountains,--one of sweet waters, the
other of bitter. Cupid filled two amber vases, one from each fountain,
and suspending them from the top of his quiver, hastened to the chamber
of Psyche, whom he found asleep. He shed a few drops from the bitter
fountain over her lips, though the sight of her almost moved him to
pity; and then he touched her side with the point of his arrow. She
awoke, and opening her eyes upon Cupid (himself invisible), so startled
him that in his confusion he wounded himself with his arrow. Heedless
of his wound, his thought now was to repair the mischief he had done.
He poured, at once, the waters of joy over her silken ringlets.
But Psyche, henceforth frowned upon by Venus, derived no benefit from
her charms. Her two elder sisters had long been married to princes; but
Psyche's beauty failed to awaken love. Consequently her parents, afraid
that they had unwittingly incurred the anger of the gods, consulted the
oracle of Apollo.
They received answer, "The virgin is destined for the bride of no
mortal lover. Her husband awaits her on the top of the mountain. He is
a monster whom neither gods nor men can resist."
This dreadful decree of the oracle filled the people with dismay; but,
at Psyche's request, preparations for her fate were made. The royal
maid took her place in a procession, which more resembled a funeral
than a nuptial pomp, and with her parents, amid the lamentations of
their subjects, ascended the mountain, where she was left alone.
While Psyche stood there, panting with fear and with eyes full of
tears, the gentle Zephyr lifted her and, with an easy motion, bore her
to a flowery dale. By degrees her mind became composed, and she laid
herself down on the grassy bank to sleep. When she awoke refreshed with
sleep, she beheld near by a pleasant grove of tall and stately trees.
Entering, she discovered in the midst a fountain, and fast by a palace
whose august front showed that it was not the work of mortal hands, but
the happy retreat of some god. She approached the building and entered.
Every object she met filled her with pleasure and amazement. Golden
pillars supported the vaulted roof, and the walls were enriched with
carvings and paintings that represented beasts of the chase and rural
scenes. Other apartments were filled with still other beautiful and
precious productions of nature and art.
Public-domain text, read in full here on John Shaqi.
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