The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
=105. Pygmalion and the Statue.=[136] Pygmalion saw so much to blame
in women, that he came at last to abhor the sex and resolved to live
unmarried. He was a sculptor, and had made with wonderful skill a
statue of ivory, so beautiful that no living woman was to compare with
it. It was indeed the perfect semblance of a maiden that seemed to
be alive and that was prevented from moving only by modesty. His art
was so perfect that it concealed itself, and its product looked like
the workmanship of nature. Pygmalion at last fell in love with his
counterfeit creation. Oftentimes he laid his hand upon it as if to
assure himself whether it were living or not, and could not even then
believe that it was only ivory.
The festival of Venus was at hand,--a festival celebrated with great
pomp at Cyprus. Victims were offered, the altars smoked, and the odor
of incense filled the air. When Pygmalion had performed his part in the
solemnities, he stood before the altar and, according to one of our
poets, timidly said:
O Aphrodite, kind and fair,
That what thou wilt canst give,
Oh, listen to a sculptor's prayer,
And bid mine image live!
For me the ivory and gold
That clothe her cedar frame
Are beautiful, indeed, but cold;
Ah, touch them with thy flame!
Oh, bid her move those lips of rose,
Bid float that golden hair,
And let her choose me, as I chose,
This fairest of the fair!
And then an altar in thy court
I'll offer, decked with gold;
And there thy servants shall resort,
Thy doves be bought and sold![137]
According to another version of the story, he said not, "bid mine image
live," but "one like my ivory virgin." At any rate, with such a prayer
he threw incense on the flame of the altar. Whereupon Venus, as an omen
of her favor, caused the flame to shoot up thrice a fiery point into
the air.
When Pygmalion reached his home, to his amazement he saw before him his
statue garlanded with flowers.
Yet while he stood, and knew not what to do
With yearning, a strange thrill of hope there came,
A shaft of new desire now pierced him through,
And therewithal a soft voice called his name,
And when he turned, with eager eyes aflame,
He saw betwixt him and the setting sun
The lively image of his lovèd one.
He trembled at the sight, for though her eyes,
Her very lips, were such as he had made,
And though her tresses fell but in such guise
As he had wrought them, now was she arrayed
In that fair garment that the priests had laid
Upon the goddess on that very morn,
Dyed like the setting sun upon the corn.
Speechless he stood, but she now drew anear,
Simple and sweet as she was wont to be,
And once again her silver voice rang clear,
Filling his soul with great felicity,
And thus she spoke, "Wilt thou not come to me,
O dear companion of my new-found life,
For I am called thy lover and thy wife?...
Public-domain text, read in full here on John Shaqi.
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