The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
=107. Phaon= ferried a boat between Lesbos and Chios. One day the queen
of Paphos and Amathus,[141] in the guise of an ugly crone, begged a
passage, which was so good-naturedly granted that in recompense she
bestowed on the ferryman a salve possessing magical properties of youth
and beauty. As a consequence of the use made of it by Phaon, the women
of Lesbos went wild for love of him. None, however, admired him more
than the poetess Sappho, who addressed to him some of her warmest and
rarest love-songs.
=108. The Vengeance of Venus.= Venus did not fail to follow with her
vengeance those who dishonored her rites or defied her power. The youth
Hippolytus who, eschewing love, preferred Diana to her, she brought
miserably to his ruin. Polyphonte she transformed into an owl, Arsinoë
into a stone, and Myrrha into a myrtle tree.[142] Her influence in
the main was of mingled bane and blessing, as in the cases of Helen,
[OE]none, Pasiphaë, Ariadne, Procris, Eriphyle, Laodamia, and others
whose stories are elsewhere told.[143]
=109. Myths of Mercury.= According to Homer,[144] Maia bore Mercury
at the peep of day,--a schemer subtle beyond all belief. He began
playing on the lyre at noon; for, wandering out of the lofty cavern
of Cyllene, he found a tortoise, picked it up, bored the life out of
the beast, fitted the shell with bridge and reeds, and accompanied
himself therewith as he sang a strain of unpremeditated sweetness. At
evening of the same day he stole the oxen of his half brother Apollo
from the Pierian mountains, where they were grazing. He covered their
hoofs with tamarisk twigs, and, still further to deceive the pursuer,
drove them backward into a cave at Pylos. There rubbing laurel branches
together, he made fire and sacrificed, as an example for men to follow,
two heifers to the twelve gods (himself included). Then home he went
and slept, innocent as a new-born child! To his mother's warning that
Apollo would catch and punish him, this innocent replied, in effect,
"I know a trick better than that!" And when the puzzled Apollo, having
traced the knavery to this babe in swaddling clothes, accused him of
it, the sweet boy swore a great oath by his father's head that he stole
not the cows, nor knew even what cows might be, for he had only that
moment heard the name of them. Apollo proceeded to trounce the baby,
with scant success, however, for Mercury persisted in his assumption of
ignorance. So the twain appeared before their sire, and Apollo entered
his complaint: he had not seen nor ever dreamed of so precocious a
cattle-stealer, liar, and full-fledged knave as this young rascal.
To all of which Mercury responded that he was, on the contrary, a
veracious person, but that his brother Apollo was a coward to bully
a helpless little new-born thing that slept, nor ever had thought of
"lifting" cattle. The wink with which the lad of Cyllene accompanied
this asseveration threw Jupiter into uncontrollable roars of laughter.
Public-domain text, read in full here on John Shaqi.
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