The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
This nymph had scorned the offers of love made her by Pan, Sylvanus,
and innumerable Fauns and Satyrs. Vertumnus, too, she had time and
again refused. But he, the deity of gardens and of the changing
seasons, unwearied, wooed her in as many guises as his seasons
themselves could assume. Now as a reaper, now as haymaker, now as
plowman, now as vinedresser, now as apple-picker, now as fisherman, now
as soldier,--all to no avail. Finally, as an old woman, he came to her,
admired her fruit, admired especially the luxuriance of her grapes,
descanted on the dependence of the luxuriant vine, close by, upon the
elm to which it was clinging; advised Pomona, likewise, to choose some
youth--say, for instance, the young Vertumnus--about whom to twine
_her_ arms. Then he told how the worthy Iphis, spurned by Anaxarete,
had hanged himself to her gatepost; and how the gods had turned the
hard-hearted virgin to stone even as she gazed on her lover's funeral.
"Consider these things, dearest child," said the seeming old woman,
"lay aside thy scorn and thy delays, and accept a lover. So may neither
the vernal frosts blight thy young fruits, nor furious winds scatter
thy blossoms!"
When Vertumnus had thus spoken, he dropped his disguise and stood
before Pomona in his proper person,--a comely youth. Such wooing, of
course, could not but win its just reward.
=140. The Cranes of Ibycus=.[182] The Furies, called also Diræ (the
terrible ones), Erinyes (the persecutors, or the angered ones), and
finally, by way of euphemism, Eumenides (the well-meaning), though
they were spirits of the underworld, visited earth to punish filial
disobedience, irreverence to old age, perjury, murder, treachery to
guests, even unkindness toward beggars. They avenged the ghosts of
such as, dying violent deaths, possessed on earth no representatives
either by law or by kindred to avenge them. Therefore, as we shall see,
they persecuted Orestes, who had slain his mother. Therefore, like
the accusing voice of conscience, they marshaled to punishment the
murderers of Ibycus.
[Illustration: FIG. 111. A RUSTIC]
This poet, beloved of Apollo, was, while journeying to the musical
contest of the Isthmus at Corinth, attacked by two robbers in the
Corinthian grove of Neptune. Overcome by them, he commended his cause
as he fell to a flock of cranes that happened to be screaming hoarsely
overhead. But when his body was found, all Greece, then gathered at the
festival, demanded vengeance on the murderer.
Soon afterward, the vast assemblage in the amphitheater sat listening
to a play in which the Chorus personated the Furies. The Choristers,
clad in black, bore in their fleshless hands torches blazing with a
pitchy flame. Advancing with measured step, they formed ranks in the
orchestra. Their cheeks were bloodless, and in place of hair writhing
serpents curled around their brows. Forming a circle, these awful
beings sang their hymn. High it swelled, overpowering the sound of the
instruments:
Public-domain text, read in full here on John Shaqi.
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