The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
But Troy was no feeble enemy. Priam the king, son of Laomedon and
brother of Tithonus and Hesione, was now old; but he had been a wise
prince and had strengthened his state by good government at home and
powerful alliances with his neighbors. By his wife Hecuba he had a
numerous family; but the principal stay and support of his throne was
his son Hector, one of the noblest figures of antiquity. The latter
had, from the first, a presentiment of the ruin of Troy, but still
he persevered in heroic resistance, though he by no means justified
the wrong which brought this danger upon his country. He was united
in marriage with the noble Andromache, and as husband and father his
character was not less admirable than as warrior. The principal leaders
on the side of the Trojans, beside Hector, were his relative, Æneas,
the son of Venus and Anchises, Deiphobus, Glaucus, and Sarpedon.
=196. Iphigenia in Aulis.= After two years of preparation, the Greek
fleet and army assembled in the port of Aulis in B[oe]otia. Here
Agamemnon, while hunting, killed a stag that was sacred to Diana. The
goddess in retribution visited the army with pestilence and produced
a calm which prevented the ships from leaving the port. Thereupon,
Calchas the soothsayer announced that the wrath of the virgin goddess
could only be appeased by the sacrifice of a virgin, and that none
other but the daughter of the offender would be acceptable. Agamemnon,
however reluctant, submitted to the inevitable and sent for his
daughter Iphigenia, under the pretense that her marriage to Achilles
was to be at once performed. But, in the moment of sacrifice, Diana,
relenting, snatched the maiden away and left a hind in her place.
Iphigenia, enveloped in a cloud, was conveyed to Tauris, where Diana
made her priestess of her temple.[282]
[Illustration: FIG. 152. THE SACRIFICE OF IPHIGENIA]
Iphigenia is represented as thus describing her feelings at the moment
of sacrifice:
"I was cut off from hope in that sad place,
Which men call'd Aulis in those iron years:
My father held his hand upon his face;
I, blinded with my tears,
"Still strove to speak: my voice was thick with sighs
As in a dream. Dimly I could descry
The stern black-bearded kings, with wolfish eyes
Waiting to see me die.
"The high masts flicker'd as they lay afloat;
The crowds, the temples, waver'd, and the shore;
The bright death quiver'd at the victim's throat;
Touch'd; and I knew no more."[283]
Public-domain text, read in full here on John Shaqi.
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