The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
=216. Achilles drags the Body of Hector.= So saying, the son of Peleus
stripped the body of its armor, and, fastening cords to the feet, tied
them behind his chariot, leaving the body to trail along the ground.
Then mounting the chariot he lashed the steeds and so dragged the body
to and fro before the city. No words can tell the grief of Priam and
Hecuba at this sight. His people could scarce restrain the aged king
from rushing forth. He threw himself in the dust and besought them
each by name to let him pass. Hecuba's distress was not less violent.
The citizens stood round them weeping. The sound of the mourning
reached the ears of Andromache, the wife of Hector, as she sat among
her maidens at work; and anticipating evil she went forth to the wall.
When she saw the horror there presented, she would have thrown herself
headlong from the wall, but fainted and fell into the arms of her
maidens. Recovering, she bewailed her fate, picturing to herself her
country ruined, herself a captive, and her son, the youthful Astyanax,
dependent for his bread on the charity of strangers.
[Illustration: FIG. 160. ACHILLES OVER THE BODY OF HECTOR AT THE TOMB
OF PATROCLUS]
After Achilles and the Greeks had thus taken their revenge on the
slayer of Patroclus, they busied themselves in paying due funeral
rites to their friend.[307] A pile was erected, and the body burned
with due solemnity. Then ensued games of strength and skill, chariot
races, wrestling, boxing, and archery. Later, the chiefs sat down to
the funeral banquet, and finally retired to rest. But Achilles partook
neither of the feast nor of sleep. The recollection of his lost friend
kept him awake,--the memory of their companionship in toil and dangers,
in battle or on the perilous deep. Before the earliest dawn he left
his tent, and joining to his chariot his swift steeds, he fastened
Hector's body to be dragged behind. Twice he dragged him round the tomb
of Patroclus, leaving him at length stretched in the dust. But Apollo
would not permit the body to be torn or disfigured with all this abuse;
he preserved it free from taint or defilement.[308]
[Illustration: FIG. 161. PRIAM'S VISIT TO ACHILLES]
Public-domain text, read in full here on John Shaqi.
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