The Clean HeartHutchinson, A. S. M. (Arthur Stuart-Menteth)
Science
The Clean Heart
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Authors -- Fiction; Happiness -- Fiction
He knows it. He feels it. He both knows and feels it because,
whereas formerly he groped ever in darkness of spirit and beneath
intolerable oppression of mind, now, when engaged in these
occupations or when thinking upon them, he is lifted out of himself,
and in the zest of their activities forgets the burden of his own
tribulations. Thus what had been all darkness, all shrinking, all
fears, becomes divided, as street lamps break the night, into periods
of light while he is within the arc of these pursuits and into
passages of the old gloom only between one day's leaving of the
school and the next morning's return to it. Slowly from this he
advances to stronger influence of the light, less frequent onset of
the shadows. First by these lamps the measureless blackness of his
way is broken. Gradually he is handed more quickly and more surely
from lamp to lamp. Not often now, with their immense and crushing
weight, their suffocating sense of numbing fear, those old and
intolerable clouds of misery descend upon him; not often now those
black abysses that yawned on every side about his feet; not often
those entombing walls that towered every way about his soul.
Sometimes they come. He, in the days of that nightmare hunted life
in London, sometimes had known snatched intervals of relief--in
companionship, in reading--in the midst of which there would strike
down upon him the thought that this was but transitory, that
presently it would end, that presently he would be returned to the
strain, to the fears, to the darkness, to the panic bursting to get
out of it. So now, sometimes, when his mind moved ever so little
from its occupation with these new interests, he would be clutched as
though immediately outside them clutching hands waited to drag him
out and drag him down--clutched and engulfed and bound again in bonds
of terror, as one whose pleasant slumber suddenly gives place to
dreadful sense of falling. In the midst of his thoughts upon some
aspect of work or play with his pupils, "This cannot go on always,"
he would think; "This will somehow come to an end sooner or later;"
and immediately the waiting hands would up and snatch him down;
immediately the fears oppress him; immediately the walls, the
blackness come; and he would cry: "What then? Where then?" and grope
again; and bruise once more himself on his despair; and plan to go
away and abandon it all, so that at least he might of his own will
leave these interests, not wait till suddenly they to their own end
should come and he be driven from them.
Public-domain text, read in full here on John Shaqi.
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